2009王家增绘画作品展
展览时间：2009年3月7日 – 3月20日，11：00AM-18：00PM
展览地点：XYZ画廊，北京798艺术区798中二街D05
电话：010 8459 9299 / 13701104223
策展人：范学宜 成国琴
引言
“王家增为我们深刻地展示了一幅惊心动魄的人类异化的景象。王家增无一例外地为这些人物“统一着装”，一律的蓝制服，一律的干部帽。这些亦工亦农，非官非商的人物，身份并没有特指，它成为一种抽象的符号或象征。今天的中国人在着装上已经千姿百态，万紫千红，但是在王家增的作品中，这些人物却仍然像30多年前那样，人物都穿着没有个性的蓝色干部服。我们不会忘记，这曾经是中国的重要标志之一，因此西方人称中国人为“蓝色蚂蚁”。王家增完全无视这种时代的变迁，又将这些蓝色干部服从衣柜中翻出。但是，这些服装并不表明王家增还在反思那个特殊的岁月，而是将其变作束缚和禁锢人类个性或人性的符号，这一诡异的符号，让我们既恍若隔世，又宛若现实。在这种状态中，我们也似乎进入了一个似死而活的境地。灰、黑色的调子，天地和万物仿佛都由铁块铸就，由此，浓重的冷酷感向我们袭来，不由使我们想到生死的问题。
在部分作品中，王家增好像有意打开一点他所铸造的“铁幕”一般的世界似的，他涂染了些许的红色。这些红色一如他在铁盒子中放进的女人一样，改变了一些冷酷，融进了一丝的温情。但是，作品的基调依然是冷酷的。只不过这些“佐料”使得作者表达的主题突然变得具有了一定的相对性，减少一些绝对意义，因而也就变得有些活泼。但这只不过是王家增的“活泼”而已，或者说是“黑色的活泼”。
——摘自郭晓川的《铁盒子里的人谈王家增的作品》
王家增艺术简历
1963年 出生于辽宁省沈阳
1987年 考入鲁迅美术学院版画系。
公派到中央美术学院油画技法研修班学习
现任鲁迅美术学院 副教授
个展：
2002年 “王家增作品展”，海上山艺展中心, 上海
2008年 “ 盒子中的人”王家增油画作品展 北京高地画廊
群展：
2003年
“北京国际版画双年展”
“今日中国美术邀请展”
“第三届中国版画RIDGE邀请展”，日本
“美国版画家与中国版画家联展”，纽约
2004年
“走进当代青年版画家八人展”， 关山月美术馆
“第十二届台湾国际版画及素描双年展”
“全国第十届美展”
2006年
“学院版画邀请展”，深圳
上海半岛版画邀请展暨学术研讨《中国版画回顾与前瞻1994—2006》。
“鲁迅美术学院教师油画作品展”，中国美术馆
“此岸彼岸” 油画五人展， 红星画廊，北京
2007年
“观澜国际版画展”
“分界融合”版画六人展，半岛画廊，上海
上海800号美术馆开幕展——油画联展
“中外名家版画展”， 3+3画廊，北京
2008年
深圳格丰艺术机构 油画联展
中国当代版画文献展（ 南京、北京、上海）
韩国光州双年展
《中心与边缘：从ABC到XYZ》王家增版画作品展 北京798艺术区XYZ画廊
2009年
王家增作品展 北京798艺术区XYZ画廊
获奖：
1988年 “世界大学生美术作品展”，作品《午休》获得优秀奖。
1998年 “中国第十四届版画展”获铜奖
2001年 《牌戏人生》之一获中国第七届三版展银奖
2002年 《牌戏人生》在东北三省版画展获金奖
《存在的1/2》获中国第十六届版画展优秀奖
2003年 《纪念——消逝的记忆》获中国第八届三版展银奖
2004年 《存在的1/2》获中国高等院校版画年会展学院奖
2005年 《纪念——消逝的记忆》获中国第十七届版画展银奖
2009 WANG JIAZENG PAINTING WORKS SOLO EXHIBITION
Exhibition dates: March 7, 2009 to Mar. 20,2009, 1100hrs to 1800hrs
Venue: XYZ Gallery, D 05 of 798 Middle Second Street of 798 art center
Curator: Xueyi FAN, Catherine Cheng
Contact Information: 010 8459 9299/13701104223
INTRODUCTION
“Wang Jiazeng revealed a soul-stirring vision of human dissimilation. He makes no exception of which the figures are all uniformed: all in blue and cadre cap. They can be either workers or farmers; neither government official nor merchants whose status are not identified and is only an abstract sign or symbol. Nowadays, Chinese are dressed of all sorts, but, in Wang Jiazeng’s works, people still look like are in 30 years ago, what whom wear has no individual character while all in blue tuinic and trousers. No one would forget that was one of the important marks of China then, therefore, Chinese were called ‘blue ants’ by Occidental. He is totally in defiance of the changes of time and rummages those out through chests and cupboards, in which not indicate that he is introspective of that special years but to symbolize the fetter and imprison of human character and nature. This tricky symbol seems like both another life and actual life. Under such circumstance, we are as if turning into a condition of being died but still alive. The style in grayish and black make the universe looked as though casting by iron, thus the dense callousness raid us that we could not help thinking about life and death.
To review all his works, some of them in obvious are as if a doorway to the outside world from the veil of Wang Jiazeng’s creation, in which he coats with slight colour of raddle. The colour is, as same as the woman in his box, to transform a thread of warmth from its origin coldness, though the basic keynote is still as hard as nails. Only are those little factors making the theme of expression suddenly appear definite relativity, and decreasing absoluteness so go into full of life. But, it is only the briskness of Wang Jiazeng’s or to say, as same as black humour, it is a black liveliness.
By Dr. Guo Xiaochuan’s < Men in Metal Boxes – Wang Jiazeng’s works>
Biography of Wang Jiazeng
1963 Born in Shengyang, Liaoning Province.
1992 Graduated from Department of Print in Luxun Academy of Fine Arts
1993 Studied at Oil Painting Facaulty of China Central Academy of Fine Arts in Beijing
Now is associate professor of Lunxun Academy of Fine Arts
Solo Exhibition
2002 Works of Wang Jiazeng Exhibition, Shan Gallery, Shanghai
2008 Men in Mental Boxes Wang Jiazeng’s Oil Paintings Exhibition, Gaodi Gallery,
Beijing
2009 Wang Jizeng Painting Solo Exhibition at XYZ Gallery Beijing, 798 art center
Group Exhibition
2003 Beijing International Print Biennale, Yan Huang Art Museum, Beijing
China Today Invitational Art Exhibition, Beijing
3rd Chinese Print Ridge Invitational Exhibition, Japan
Joint Exhibition of American and Chinese Prints, New York
2004 Enter the Present Age _Eight Youth Print Exhibition, Guanshanyue Art Museum, Shenzhen
the 12th Taiwan International Print and Line Drawing Biennale. National Taiwan Museum of Fine Arts
the 10th National Arts Show, The National Art Museum of China, Beijing
2006 Academic Invitational Print Show, Shenzhen
Shanghai Invitational Peninsula Prints Exhibition, Shanghai University, China
2007 Guanlan International Print Exhibition, Guanlan Art Museum, Shenzhen
Shanghai Wujiaochang No.800 Space Opening Show –Oil Painting Exhibition, Shanghai
Prints Exhibition of China and Abroad Masters, 3+3 Art Space, Beijing
2008
Awards
1989 ‘NoonBreak‘won outstanding prize, International Undergraduates Art Exhibition
1998 ‘Unconsciousness State in Sequence’ won the bronze prize , the 14th National Print Exhibition
2001 one of ‘Life As Cards’ gained the silver prize, the 7th National Three Kind of Print Exhibition
2002 ‘life As Cards’ won the first prize, Northeast Three Provinces Print Exhibition
‘The Half of Existence’ gained the outstanding prize, the 16th National Print Show
2003 Commemoration--Wearing Away Memory’, the prize of the 8th National Three Kind of Print Exhibition
2004 The Half of Existence’ gained the academic prize, National College and University Print Annual Exhibition
2005 ‘Commemoration--Wearing Away Memory’ won the second prize in the 17th National print Exhibition
