DEFINITE AND INDEFINITE——LIU XUGUANG’S ABSTRACT INK PAINTING EXHIBITION
CURATOR: GU ZHENQING
EXHIBITION DIRECTOR: SUN YONGZENG
EXECUTIVE CURATOR: DAI ZHUOQUN
ASSISTANT CURATORS: LI WEIWEI, ZHANG ZHIXIN
ADMINISTRATIVE DIRECTORS: SUN YONGQING, FU CHUNLAI
PR ASSISTANTS: LIU CHANG, LI WEIWEI
GRAPHIC DESIGNER: LIU PU
SPONSOR: WHITE BOX MUSEUM OF ART
OPENING: 15:00, FRIDAY, 31st DECEMBER, 2010
DATES: 31st DECEMBER, 2010 TO 15th JANUARY, 2011
MUSEUM OPENING HOURS: 10:00- 17:30, TUESDAY- SUNDAY
VENUE: WHITE BOX MUSEUM OF ART, 798 ART DIST., NO.2 JIUXIANQIAO ROAD, CHAOYANG DIST., BEIJING, CHINA
CONTACT US: +86-10-5978 4801
FOR MORE INFORMATION PLEASE VISIT OUR WEBSITE: www.798whitebox.com
Liu Xuguang's abstract ink painting exhibition DEFINITE AND INDEFINITE will be showcased in White Box Museum of Art of 798 Art District, from 31st December, 2010 to 15th January, 2011. An opening reception is scheduled for Friday, December 31 at 3:00 pm, admission is free.
Born in Beijing, Liu Xuguang works as director at new media art lab of Beijing Film Academy, he had studied in Japan and taught in Tokyo National University of Fine Arts and Music.
DEFINITE AND INDEFINITE showcases both abstract ink painting and imaging art. Liu Xuguang’s application of the post-modern expression method is not a mere language problem but a creative way to describe the present existence. It is from the demand of the present reality that the significance of tradition springs up; at the same time, it is also implied that inheriting classic paintings simply and impractically does not make any sense to artistic and cultural development. The conceptional ink painting does not necessarily require a hermeneutical explanation, its objective nature lies hidden behind the surface of the ink and wash. Since the civilization progress is to be defined by the tracks or marks of human impact on nature, Liu Xuguang abstracts these marks and entrusts them with different connotation. The creation of forms is the nature of art, while the thinking of life and humanity is the core of culture. By means of Liu Xuguang's own artistic language, we look forwards to search for the local spiritual source, and the nature of the ink painting.
刘旭光Liu xuguang,exhibition scene National Art Museum of China, 2010