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115楼1904室：梁远苇个展
Boers-Li画廊荣幸地向您宣布，艺术家梁远苇将于5月31日至7月13日，在本画廊的主空间举办她的最新个展——《115楼1904室：梁远苇个展》。
梁远苇1977年生于西安，1999年毕业于中央美术学院。作为一位年轻艺术家，她的摄影、绘画及装置作品关注的是每日生活里语言符号学意义上的美好与压抑的联结点。作为N12的成员之一，还在学生时代，梁远苇即开始举办展览并且吸引了国际范围的关注。
梁远苇近期的大部分作品关注的主题是私密性、人与人之间的交流、个体自身的感受及其所带来的感动。显然艺术家认为正是这些感动，填满了内心与日常生活的空白空间。与众不同的是，梁远苇的作品拒绝女性艺术家们特有的、理想的女性题材，而是关注对社会题材更广泛地探索。
梁远苇的实践对艺术技巧有严格的要求，并且常常对于时间及精力的安排也有特定量的要求。这促使观众在看作品的同时，须重新审视那交织成每日平凡生活的、使人销魂或痛苦的微妙问题。艺术家拒绝简单易得的答案，更乐于对感知环境进行艰苦地重构。
此次个展将展示的是艺术家最新的油画系列《生活的片断》，这组油画以艺术家自己拥有的衣服或者布单上的花纹为蓝本来进行绘画。画面上细碎的小花及柔和的底 色不是死气沉沉的，仔细看，它们似乎从自身发出柔和的光来，又像一片海洋，花朵在里面沉沉浮浮。就专业技法的角度来说，《生活的片断》的创作过程需要极大 的耐心及定力，艺术家从画面的一个边开始绘画，从这个方向以条状推进，每天只画窄窄的一条。于是每天看到的图案都不是完整的，在整个画面完成之前，即便是 艺术家本人也无法预料到完成时画面会成为什么样子。并且，哪怕有一笔小小的失误，整幅画就失败了，必须从头来过——因为前些天绘画的内容已经干了，无法修 改。
这组油画像是一个微妙的提示，告诉人们对于混乱的外部世界暴政的反抗是可能的，并且力求通过每日不懈地、细致入微地绘画创作，开垦出一个存在于已知世界之内的 “桃花源”
Tel: +86-10-6432-2620
Email: info@boersligallery.com
Web: www.boersligallery.com
BLDG 115, RM 1904: Liang Yuanwei Solo Exhibition
Boers-Li Gallery is pleased to announce that Liang Yuanwei will be featured in the next solo exhibition in the main project space, opening on May 31 and running through July 13. The project is entitled BLDG 115, RM 1904.
Liang Yuanwei, a graduate of the Central Academy of Fine Art originally from Xi’an born in 1977, is a young artist whose photography, painting, and installation work often focuses on articulating the sites of both beauty and oppression in the semiotics of the everyday. As a member of the N12 group, she began organizing exhibitions and attracting international attention along with her peers while still a student.
Her most recent work has involved themes of discretion, secrecy, interpersonal communication, domesticity, and the affect produced therein. Significantly, she seems to claim that this affect is all that fills up the empty space that dominates domesticity and everyday life. Uniquely, her practice rejects the feminine specificity idealized by so many of her peers in favor of more broadly universal explorations of social themes.
Technically rigorous and often requiring extraordinary amounts of time and energy, Liang Yuanwei’s artistic practice forces her audience to re-inspect the subtle points of ecstasy and torture that make up the fabric of the everyday, leading to a rejection of easy answers in favor of a laborious reconstruction of the perceived environment.
This latest exhibition will feature a number of works from the artist’s A Piece of Life series, which takes the patterns and prints of the artist’s own clothing and fabric as its inspiration. The texturing is impeccable, with mellow colors creating a sensation of floating blossoms. The focus in these works, however, is above all on the meticulous process involved in their production.
The creation of these paintings required large amounts of patience and concentration. The artist started painting from one edge, working consistently in the same direction and progressing strip by strip, each day painting only a very narrow strip. Because the pattern remained incomplete at the end of each day, the artist was unable to anticipate what its final appearance would be. At the same time, she worked under constant fear: a single misplaced brushstroke or minor mistake would mean the failure of the whole piece. Because the previous day’s work was already dry, there would be no way to correct any mistakes other than starting over anew.
These paintings and their process act as a subtle reminder of resistance to the tyranny of the chaotic outside world, reclaiming habitable space through anticipation and tedium.
Tel: +86-10-6432-2620
Email: info@boersligallery.com
Web: www.boersligallery.com
[专稿] 115楼1904室：梁远苇个展 |
