画风景是最有意思的 IT IS MOST INTERESTING TO PAINT LANDSCAPES
当年的风景画更多的是创作,是写生。现在的风景画中的主观层面较多,写生的成分较少,很多都是凭记忆作画。写生主要用素描,每次出行我都带素描本,回来后,马上画两笔,所以我的水彩已经不是地道的水彩,有淡彩的味道。当然,油画是写生的多。当年是正儿八经,正如要点一首歌唱一唱,沉重感要重一些。现在主要是与家人、朋友一起出去玩的时候,我在一边画几张,更多的是很情绪化的东西,就像看到一个感兴趣的东西,很随意的抒发,高兴,觉得很过瘾。
对我来说,最好的休息就是如哼小调般地画画,很轻松,又有很深情的怀旧感:当初考附中、美院时的感觉。所以画风景是最有意思的。
At that time I was creating sketches of nature, but now I integrate more subjectivity by painting from memory. I took my sketchbook wherever I went and added some strokes after return. So my watercolours are somewhat like light colours. My oils came from nature of course. Then I was conscientious; I felt grave like choosing a song in karaoke singing. But now I paint something when sightseeing with family members or friends. The works are sentimental; when I get interested in something, I just want to sing it out casually and I feel happy and satisfied.
The best rest for me is painting, and it’s like casually humming a tune, with a touch of nostalgia—think- ing of my days before being enrolled by my high school, and my time in the rigor of examination to enter college. So it is most interesting to paint landscapes.
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