展览：工作坊：传播的图与转译的像
艺术家：陈蔚、陈晓云、崔广宇、方璐、方琛宇、刮子、何岸、胡向前、焦兴涛、孔令楠、刘庆元、秦琦、仇晓飞、孙逊、翁云鹏、徐渠、闫冰、杨心广
策展人：孙建春、许崇宝
展览开幕：2010年9月18日下午4点
展览日期：010年9月18日- 2010年10月12日
展览地址：伊比利亚当代艺术中心
展览地址：北京市朝阳区酒仙桥路4号798艺术区E06
出品人：高平、邱晨枫
馆长：夏季风
艺术总监：左靖
杂志执行主编：董冰峰
主办：西班牙国际文化艺术基金会｜《艺术与投资》&《当代艺术与投资》杂志社
协办：伊比利亚当代艺术中心
展览简介：
“工作坊”，为《当代艺术与投资》2007年1月创刊以来的重要栏目，着重介绍年轻艺术家的创作，呈现其创作思路和作品；同时调查、研究及呈现华人年轻一代艺术家群落中最具实验性和创作力的个体艺术家，迄今近三年，共推介37位（组）艺术家，范围涵盖中国内地、台湾及海外地区。
“工作坊”编辑、制作工作的重点，是力图清晰呈现艺术家创作的核心命题：即将那些通过观念思考、不断创作实验可能性的因素乃至艺术生产的过程展开；栏目的制作，从2007年定位在“艺术家的一件新作品的诞生”到不断演化为聚焦“艺术家工作的整体性研究”。
在《当代艺术与投资》的编辑理念中，我们试图说明，这本杂志展示的是作为‘现在时’的实验性的、跨界性的当代艺术生产。我们的理解，杂志应该努力挣脱传统所赋予它的定义，使它的“本质”游离而成为一个开放性的能动主体。也就是说，它不仅仅是一本冷冰冰的仅供人翻检的纸媒体，而应该是一种通过展览、活动、出版，以及建立在其上的各种可能的建构。因此，我们不妨把“工作坊”的展览实践称为 “杂志-策展实践”。
2009年12月至2010年1月，《当代艺术与投资》联合伊比利亚当代艺术中心共同组织、策划的“工作坊：艺术家是如何工作的”的专题展览第一次成功践行了“杂志-策展实践”的理念。2010年9月18日开幕的“工作坊：传播的图与转译的像” 展览基于2010年“工作坊”（Project）栏目的研究工作，是对“工作坊”（Project）栏目纸本研究工作的延伸与响应，着重于研究和分析在艺术家创作与展览、活动、出版，及其他可能性传播媒介之间发生关系时作品的观念与物质形态所发生的微妙转译：作品与传播中的作品。
Exhibition: Work in Spreading: Images of Circulation and Retranslation
Artists: Chen Wei, Chen Xiaoyun, Tsui Kuang-Yu, Fang Lu, Silas Fong, Gua Zi, He An, Hu Xiangqian, Jiao Xingtao, Kong Lingnan, Liu Qingyuan, Qin Qi, Qiu Xiaofei, Sun Xun, Weng Yunpeng, Xu Qu, Yan Bing, Yang Xinguang
Curators: Sun Jianchun, Xu Chongbao
Opening: 18th September 2010, 4pm
Dates: 18th September 2010 –12th October 2010
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, no.4 Jiuxianqiao Road, Chaoyang District, Beijing
Producers: Gao Ping, Qiu Chenfeng
Director: Xia Jifeng
Art Director: Zuo Jing
Chief Editor of Art & Investment and Contemporary Art & Investment: Dong Bingfeng
Presented by:
International Art & Culture Foundation of Spain
ART & INVESTMENT and CONTEMPORARY ART & INVESTMENT Magazine
Co-organized by:
Iberia Center for Contemporary Art
Exhibition Introduction:
“Project”, the central column of Contemporary Art & Investment ever since its first publication in January 2007, is dedicated to introducing to readers the emerging artists’ work through the presentation of their artistic intentions and creation. It aims at exploring, investigating and showcasing the most experimental and talented Chinese artists of the younger generation. Nearly three years on, “Project” has featured 37 artists /teams across mainland China, Taiwan and overseas.
The editing work for “Project” seeks to give a clean-cut presentation of the core dimensions of the artist’s work, namely, to unveil the factors making on-going experiments and concept-centered thinking possible, and furthermore to dissect the process of artistic creation. The concept of the column has been evolving from “the birth of a new work” in 2007 to “a holistic study of artist’s work”.
As the mission of the magazine, we tend to present to our readers contemporary art in an experimental and interdisciplinary way. It is our aspiration to create a magazine free from conventional definitions, so that the essence of the magazine can develop to an active and open independent voice. It is not only a cold, passive paper medium, but a framework based on which exhibitions, activities, publishing, and many other options could be opened up. We could call this exhibition a “Magazine –Exhibition practice”.
From December 2009 to January 2010, the exhibition “Work in Progress: How Do Artists Work?” initiated by CONTEMPORARY ART & INVESTMENT and Iberia Center for Contemporary Art was the first exhibition that successfully implemented the “Magazine – Curating practice” concept. The exhibition “Work in Spreading: Images of Circulation and Retranslation” which will be launched on September 18th 2010 is based on the studies done by the column “project” in 2010. It focuses on the relationship between the concept of the work and its physical form when the art work is being exhibited or published. That is: work and work in spreading.
ICCA Enquiries & Guided Tour Reservation
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Opening Hours: Tuesday—Sunday 10:00–18:00, closed on Mondays