设计的立场

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艺术中国 | 时间: 2010-04-26 16:31:15 | 文章来源: 艺术中国

都市实践 土楼公舍

 

展览时间:2010年4月28日——5月14日

展览地点:一号馆2层

Duration: April 28th- May 14th, 2010

Venue: 2nd floor exhibition hall of Building No.1

 

“设计的立场──来自中荷建筑、服装、书籍与产品设计的八种态度”由今日美术馆、荷兰建筑学会 (NAI) 荷兰设计、时装与建筑设计协会(DutchDFA) 共同举办。

此次展览汇集了荷兰中国两国处于不同设计领域前沿八位设计师的顶尖设计作品,着眼于1990年以来荷中两国的建筑、平面设计、服装、产品设计。

在选定的几个领域里,虽然有着不同的视觉与形式语汇、历史、制作周期,和独特的语境,参展的设计师却都不约而同地采用了一种概念与实践相结合的思考、工作模式,系统性地探索所从事领域的框架与边界、追求创新。

参展设计师们将自己置身于多重的张力场中,其中包括大规模生产与传统手工艺之间、受托任务与个人目标的追求之间、传统与创新之间、市场需求与使用者需求之间、大型规划与人的尺度之间、全球化效应与独特身份诉求之间的张力。

 

‘Taking a Stance- 8 Critical attitudesin Chinese and Dutch architecture and design”. It is a joint exhibit by the Today Art Museum, the Netherlands Architecture Institute (NAi), and the Dutch Design, Fashion and Architecture Programme (DDFA).

This exhibition compiles cutting-edge work of eight different Dutch and Chinese front line designers in architecture, plan design, fashion, and product design since 1990.

In these selected fields, even though there are differences in visual style, format, use of words, history, production cycle and context, one will not be surprised to find commonalities, among the designers, in the way they execute concepts to the modes of working. They systematically explore the boundaries of issues of their concern and strive for innovation.

Thereby the chosen designers position themselves in multiple fields of tension, including those between mass production and traditional craft techniques, between work on commission and the pursuit of a personal agenda, between tradition and innovation, market demands versus the needs of users, large-scale planning and the human scale, and the effects of globalisation versus the call for distinctive identity.

 

 
Hella-Jongerius,-Frog-Table


 

 
OMA,-Tapei


 

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