主办：中央美院学院

　　展览时间：2009-3-10到2009-3-19（10：00-17：00）

　　地址：中国美术馆

　　开幕时间：2009年3月10日（星期二）下午：2：00于中国美术馆举行

　　四分之一个世纪的回顾

　　中央美院首届油画研修班研究展开幕在即

　　中央美院油画系由江丰院长倡议于1982年开办了首届研修班，学制两年，学员由因文革失学但在全国美展获奖的青年画家与各地美术院校教师两部分组成。25年后的今天，不少人白发苍苍，更有四位同学已经作古。大部分同学坚持艺术探索，成为各有成就的画家、教授或美术学院的主要领导。三月十日二十多位同学将从全国各地，甚至美国、法国、德国、加拿大与澳大利亚汇聚到中国美术馆，向公众展示他们毕业迄今的成果。他们邀请当年的老师前来点评，同时也展示老师们的部分作品。这是为什么展览取名为《师承与修行》

　　这届学员毕业的次年，黄山见证了中国油画研讨会的盛况。同一年，更年轻一代的“八五新潮”拉开序幕。老新数代艺术家的互相切磋与激励，开拓了仅有百年历史的中国油画园地。如今，中国当代绘画已经成为国际瞩目的热点所在。本次展览提供了一个范本，揭示了中国油画是如何从文革之后的复苏走到今日之辉煌的。

　　A Quarter Century Retrospective:

　　An Exhibition of the First Oil Painting Research Class of the Central Academy of Fine Arts

　　In 1982, the Central Academy of Fine Arts introduced a two-year graduate program for oil painting at the suggestion of its director Jiang Feng. The class consisted of two groups: 1) young artists whose formal education had been deprived by the Cultural Revolution but who had won awards at national art exhibitions; 2) teachers at various provincial art academies. Twenty five years have passed since this first class graduated, many of them already have white hairs, and four alumni have already passed away. Most members of the class continued their creative pursuits and became accomplished artists, professors, and leaders of art academies. On March 10, about two dozen alumni—traveling from all over China as well as the U.S., France, Germany, Canada, and Australia—will reunite at the National Art Museum of China and present to the public their works since graduation. They have invited their teachers from the time to comment on and critique their works. The teachers will also be exhibiting some works of their own. Thus he exhibition is entitled “Apprenticeship and Cultivation.”

　　In 1985, the year after this class graduated, an oil painting conference was held in Huangshan, coinciding with the emergence of the ’85 New Wave, comprising of even younger artists. The mutual learning and encouragement between several generations of artists have developed the field of oil painting, which has had only 100 years of history in China. Today, contemporary Chinese painting has attracted worldwide attention. This exhibition provides a case study of the journey that Chinese oil painting has traveled from resuscitation from the Cultural Revolution to its current splendor.