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Dieter Rams 迪特·拉姆斯现代设计原则 |
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艺术中国 | 时间: 2011-10-25 09:31:44
| 文章来源: 视觉同盟
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Dieter Rams与苹果设计风格的延续
Dieter Rams是一名来自德国的工业设计大师,简约主义设计风格的代表人物、新功能主义的创始人和代言人,是建立起20世纪工业设计标准的大师级人物。Dieter Rams这位年近80岁设计大师的许多设计作品,至今还被世人沿用,男士们应该还满熟悉博朗的剃须刀,就是Rams在博朗公司重组后推出的第一个产品,即大获成功。此外还有很多现代艺术、建筑和影像的设计作品,60年代初的SK55唱片机和T1000 收音机,以及人们至今还使用着的Vitsoe 606货架系统,都是Rams的作品。 Fast Company Design最近采访了Dieter Rams,大师在采访中分享了一些对于现代通用设计的想法,优秀设计原则,以及杰出、持续的设计方案的重要性和对公司的价值。从下面Rams电子产品的设计图中我们可以看出,苹果的设计风格其实在某些方面与Rams的设计风格十分相似,但是Rams并没有说苹果的设计团队抄袭这样的话,反而称赞 Jonathan Ive和苹果的其他设计师能够沿用他曾经使用过的设计准则,因为理念相似,所以产品风格才会有相似之处。 Dieter Rams相信,苹果这样的理念「模仿」是对他本人最真诚敬重的表现,Dieter Rams曾经和 Jonathan Ive一起参观过苹果的工作流程,并且大加称赞。同时,Dieter Rams还表示 Jonathan Ive与苹果CEO Steve Jobs好友般的关系也是让苹果优秀产品设计得以持续的原因之一。Rams回忆,他看到Ive-Jobs之间的关系,就仿佛当初他在博朗公司一样,设计师可以直接和最高执行官汇报交流,而不是通过什么市场部门。 1960s Braun Products Hold the Secrets to Apple’s Future The year 2008 marks the 10th Anniversary of the iMac, the computer that changed everything at Apple, hailing a new design era spearheaded by design genius Jonathan Ive. What most people don’t know is that there’s another man whose products are at the heart of Ive’s design philosophy, an influence that permeates every single product at Apple, from hardware to user-interface design. That man is Dieter Rams, and his old designs for Braun during the ’50s and ’60s hold all the clues not only for past and present Apple products, but their future as well: When you look at the Braun products by Dieter Rams—many of them at New York’s MoMA—and compare them to Ive’s work at Apple, you can clearly see the similarities in their philosophies way beyond the sparse use of color, the selection of materials and how the products are shaped around the function with no artificial design, keeping the design “honest.” This passion for “simplicity” and “honest design” that is always declared by Ive whenever he’s interviewed or appears in a promo video, is at the core of Dieter Rams’ 10 principles for good design:
2008年是iMac问世十周年纪念,而Jonathan Ive就是设计这台扭转Apple命运,乃至创造一个新时代电脑的设计奇才。多数人可能并不知道,Ive设计哲学受到另一位设计师深刻的影响,这个影响反应在每一件Apple的产品——从硬件到用户界面。这个人就是Dieter Rams,从他在上世纪50年代到60年代为德国品牌Braun(博朗)设计的产品中,我们依稀看到Apple过去到现在设计的产品中沿袭着的“设计密码”,可以预见未来Apple的产品还将受到影响。
时至今日,当人们看到陈列在纽约现代美术馆中那些由Rams设计的Braun生产的产品,当将他们与Ive为Apple设计的产品进行对比的时候,二者之间的设计哲学——从色彩的使用,材料的选择,到“形式追随功能”,剔除人工痕迹,体现“坦诚”的设计思想——都是那么相似。 Ive在多个采访和设计讲解过程中不厌其烦地阐述他如何痴迷于“简约”的设计风格和“坦诚”的设计语言,实际上这也是对Rams提出的十条设计理念的追求: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design helps us to understand a product. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consequent to the last detail. Good design is concerned with the environment. Good design is as little design as possible. 好的设计是创新的 Good design is innovative. 好的设计创造好用的产品 Good design makes a product useful. 好的设计是符合审美的 Good design is aesthetic. 好的设计帮助我们理解产品 Good design helps us to understand a product. 好的设计是含蓄的 Good design is unobtrusive 好的设计是坦诚的 Good design is honest. 好的设计是耐用的 Good design is durable. 好的设计由最终的细节决定 Good design is consequent to the last detail. 好的设计关注环境 Good design is concerned with the environment. 好的设计是“没有”设计 Good design is as little design as possible. Ive’s inspiration on Rams’ design principles goes beyond the philosophy and gets straight into a direct homage to real products created decades ago. Amazing pieces of industrial design that still today remain fresh, true classics that have survived the test of time. The similarities between products from Braun and Apple are sometimes uncanny, others more subtle, but there’s always a common root that provides the new Apple objects not only with a beautiful simplicity but also with a close familiarity. Ive受到的启发不仅仅来自Rams的设计哲学,更直接来自Rams设计的真实产品——那些几十年前的产品。拿今天的目光看,Rams设计的工业产品还是那么新鲜——所谓经典是要经得起时间的考验,Rams的设计做到了。比较Braun的经典设计和Apple的设计,二者之间的相似性难以描述,但有时又是那么明显。可以看到,Apple的设计中所蕴含的简约之美与Braun经典产品体现的风格是一脉相承的——这点相当乃人寻味。
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