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【演讲者介绍】张敢(Zhang Gan)

艺术中国 | 时间: 2013-11-09 14:34:36 | 文章来源: 艺术中国
张敢(Zhang Gan)(观看视频)

     Zhang Gan is Vice Dean and Professor of Western Art History at the Academy of Arts and Design, Tsinghua University. Zhang chaired the research projects of Western Christian Art Study (National “Tenth Five-Year” Plan Youth Foundation for Arts and Science) and Study on American Art of 20th Century (2006 Research Project of Tsinghua University Humanities and Social Sciences Rehabilitation Fund), etc. He has published monographs and textbooks such as Victory of Painting? Victory of USA?–Study on American Abstract Expressionist Painting (Beijing: Culture and Art Publishing House, 2002), European Fine Arts in the 19th Century, Second Volume (Beijing: China Renmin University Press, 2004), Compendium of Foreign Art History(Beijing: Higher Education Press, 2008) and so on. He has also published over 20 articles on western art history, especially on American modern art and Italian renaissance. He teaches many courses for graduate and undergraduate students at the level of department, academy and university. In 2003 he won the Excellent Teaching Award for Young Teachers from Tsinghua University, in 2007 he was selected in the New Century Personnel Support Program of Ministry of Education of China, and in the same year selected in Beijing New Century Hundred Personnel Program in Social Sciences. Zhang is currently editor-in-chief of Tsinghua Arts, an academic journal published by Tsinghua publishing house.

张敢,清华大学美术学院副院长,西方美术史教授。主持西方基督教美术课题研究(全国艺术科学"十五"规划青年基金),20世纪美国美术研究(2006年度清华大学人文社科振兴基金研究项目)等。出版专著:《绘画的胜利?美国的胜利?——美国抽象表现主义绘画研究》(北京:文化艺术出版社,2002年);《欧洲19世纪美术》(下卷)(北京:中国人民大学出版社,2004年);《外国美术史简编》(北京:高等教育出版社,2008年)等。发表西方美术史研究论文20余篇,在美国现代艺术、意大利文艺复兴时期艺术研究领域取得优秀成果。承担清华大学、清华大学美术学院本科生和研究生的教学工作。2003年,获得清华大学青年教师教学优秀奖;2007年入选国家教育部新世纪人才支持计划;同年,入选北京市新世纪社科理论人才百人工程。兼任清华大学出版社发行的学术期刊《清华美术》主编。

Preview fo the Speech:

History of A Nation in Art:the Exhibition Art in America: 300 Years of Innovation

The exhibition Art in America: 300 Years of Innovation was organized by The Salomon R. Guggenheim Foundation in partnership with the Terra Foundation for American Art. The curatorial team that assembled the show was lead by the Director of the Guggenheim Foundation Thomas Krens. The exhibition was shown at the National Art Museum of China in Beijing from February to April 2007 and Museum of Contemporary Art in Shanghai from May to June 2007. A full color, lavishly illustrated 350 page catalogue was published in Chinese and English versions. The exhibition represented a major effort to present the history of American Art, from the colonial period to the present, to the Chinese public. Its reception in China was generally very positive. While the majority of Chinese scholars and audiences who saw the show thought that it presented 300 years of art history, I will argue that, in fact, the exhibition presented a history of a nation, the United States, though art. The chronological ordering of the exhibition and a timeline of historic events prominently displayed at the exhibition established this as the dominant narrative of the exhibition. Every section of the exhibition had a close relationship with American history. As a result, the exhibition proved a very success strategy to spread American values embedded in its history.

发言概要:

艺术中的国家历史:“美国艺术三百年:适应与革新”展

“美国艺术三百年:适应与革新”展 由古根海姆基金会主办,泰拉基金会协办。策展团队负责人为古根海姆基金会主管托马斯·科伦。展览于2007年2月至4月在中国美术馆举行,同年的5月至6月,在上海当代艺术博物馆展出, 并以中英双语出版了一本350页的全彩插图画册。此次展览成功地向中国公众展示了从殖民地时期到当下的美国艺术史, 得到了非常积极的反响。尽管大多数中国学者和观众认为此次展览向他们展示的是300年的美国美术史,但我却认为这次美术史展览实际展示的是国家史。时间顺序和历史性事件的时间线成为展览的主要叙述方式。展览的每一部分都与美国历史有着密切的关系。最终,这个展览成为将美国价值观嵌入美国史之中进行传播这一策略的成功典范。

 

 

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