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佩吉·李维特（Peggy Levitt） (观看视频）
Peggy Levitt is a Professor of Sociology at Wellesley College and the co-Director of the Transnational Studies Initiative at Harvard University. She was a Senior Visiting Scholar at the Universities of Deusto (Bilbao), Latvia, and Valencia in 2013, the Visiting International Fellow at the Vrije University in Amsterdam from 2010-2012 and the Willie Brandt Guest Professor at the University of Malmö in 2009. Her books include Religion on the Edge (Oxford University Press, 2012), God Needs No Passport: Immigrants and the Changing American Religious Landscape (New Press 2007), The Transnational Studies Reader (Routledge 2007), The Changing Face of Home: The Transnational Lives of the Second Generation (Russell Sage 2002), and The Transnational Villagers (UC Press, 2001). She has also edited special volumes of Racial and Ethnic Studies, International Migration Review, Global Networks, Mobilities, and the Journal of Ethnic and Migration Studies. A film based on her work, Art Across Borders, came out in 2009. Her current book project, The Bog and the Beast: Museums, the Nation, and the Globe, explores how museums around the world are responding to immigration and globalization.
佩吉•李维特：卫斯理大学社会学专业的教授，哈佛大学跨国家研究中心联合主席。2013年，佩吉.莱维特教授以高级访问学者身份在拉脱维亚和巴伦西亚以及德乌斯托大学进行访学；2010年到2012年期间，以国际客座学者身份在阿姆斯特丹自由大学访学；2009年在瑞典马尔摩担任维利•布兰特客座教授。出版著作：《边缘中的信仰》（牛津大学出版社，2012年），《神不需要护照：移民和改变美国宗教局面》（“新”出版社，2007年），《跨国界研究读物》（劳特利奇出版社，2007年），《家之变脸：第二代的跨国生活》（拉塞尔 萨齐出版社，2002年），《跨国村民》（加州大学出版社，2001年）。同时，她还在《人种及少数民族研究》、《国际移民评论》、《全球网络》、《迁徙》、《少数民族与移民杂志》等杂志担任专栏编辑。2009年发行的影片《跨越边界的艺术》，就是以佩吉•莱维特教授的研究工作为原型的。她正在编写的新书《沼泽与野兽：博物馆，国家和世界》，将探讨世界各国的博物馆是如何对移民与全球化作出回应的。
Preview of the Speech:
The Bog and the Beast:Museums, the Nation, and the World
This paper addresses how museums in the United States are changing how they represent the nation and its place in the world in response to immigration and globalization. I focus on how Boston’s Museum of Fine Arts new Art of the Americas Wing compares to the American Identities exhibit at Brooklyn Museum. In addition to looking at how institutional factors such as curatorial interests, the nature of the collections, and each museum’s benefactors help explain these two museum's different takes on Americanness, I also look at how the cultural armature of each city, or its history, demography, and cultural policies, affect how outward or inward-looking both museums have become. Finally, I ask what it is about the style of nationalism in the United States that also influences these cultural institutions.
发言概要：
沼泽与野兽：博物馆，国家和世界
本文着重表述美国艺术馆正在发生的改变。研究它们是如何展示美国，如何展示美国在世界的地位，如何对移民和全球化的做出反馈的。我着重对比了波士顿艺术美术馆“美国之翼新艺术展”与在布鲁克林美术馆进行的名为“美国身份”的展览。除了考虑如何从管理者的利益、收藏的本质以及博物馆捐助人等制度性因素来解释这两个博物馆对美国性的不同呈现外，我还会探讨两个城市的文化防卫机制、城市历史、人口学、文化政策等因素是如何影响这两座博物馆，使其分别成为了内向型和外向型博物馆。最后，我提出的问题是：那些影响到文化制度的美国国家主义风格到底是什么？
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