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“感动人生”现实主义的杰作——访徐悲鸿艺术学院教授徐唯辛

艺术中国 | 时间: 2007-03-20 14:32:11 | 文章来源: 《中国艺术家》
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画家徐唯辛肖像
 

民工、工棚、矿工多么朴实的词句,多么平凡的人民,又是多么值得歌颂的群体。在采访中,徐唯辛教授说:我喜欢,所以我坚持画下去。这是我的追求和信仰,坚持走现实主义道路,表现人文关怀,画中国当下的题材。他还深沉的说:唯美的、商业性的已成为过去,不能表达我的内心世界,我画画从不考虑市场。前一段我去河北煤矿写生,画了一个烧伤的煤矿工人,从而反映了中国当代煤矿工人的真实处境。
    徐唯辛教授就是怀着一颗真诚、同情、善良的心来描绘这些伟大的人民群众的,徐唯辛老师用他那严谨的造型、生动的笔触、丰富的色彩,塑造了一个个民工的生动形象,他深入煤矿和工地体验生活,他把别人喝茶、喝咖啡的愉悦时间都用在了绘画创作上。
    他早期的代表作有:油画《圣地拉萨》、《酸雨》、《馕房》、《集市》,其画面人物众多,形象生动,表情丰富,色调和谐而高雅。
    徐唯辛,1978年考入西安美术学院师范系,1985年考入浙江美术学院油画系研究生班,1987年油画《馕房》获首届中国油画展大奖;毕业于浙江美术学院油画系,获硕士学位;后又赴广州美术学院油画系任教。现为中国人民大学徐悲鸿艺术学院教授 、院长助理、绘画系主任、中国美术家协会会员。1999年,油画《酸雨》入选第九届全国美展并获铜奖。2004年,油画《工棚》入选第十届全国美展及北京《世纪风采》展,获第十届全国美展银奖。
    去年,徐唯辛老师忙着创作一幅幅250CM×200CM的矿工人物半身头像,创作这些作品参加2006年4月28日在中国美术馆举办的“现实主义之路”绘画展,届时有中央美院教授孙为民、清华美院的忻东旺老师等7位画家参展。目前,徐唯辛老师正在创作历史中国众生像,50多幅人物头像。2007年他将在中国美术馆和上海美术馆举办个展。今天艺术大师的作品就是明天的文物,在此预祝展览圆满成功。

 



画家徐唯辛在浙江美术学院(现中国美术学院)


徐唯辛简历
1958年出生;1978年考入西安美术学院师范系,1985年考入浙江美术学院油画系研究生班,1987年油画《馕房》获首届中国油画展大奖;毕业于浙江美术学院油画系,获硕士学位;赴广州美术学院油画系任教。现为中国人民大学徐悲鸿艺术学院教授、院长助理、绘画系主任、中国美术家协会会员、中国致公党党员、致公党人民大学支部主委。
  



油画《民工》(局部特写)


【出版与获奖情况】
1987年 油画《馕房》获首届中国油画展大奖 
1994年 《酥油茶馆》入选第八届全国美展 
1997年 油画《圣地拉萨》入选“1997当代中国艺术展”
1999年 油画《酸雨》入选广东省美展,获银质奖;第九届全国美展获铜奖 
2000年 作为中国百年160位杰出油画家之一编入6卷大型典籍《20世纪中国油画》;油画《酸雨》入选20世纪中国油画展
2004年 油画《工棚》入选第十届全国美展及北京《世纪风采》展,获第十届全国美展银奖、北京市政府文艺奖、北京市政府文学艺术奖和北京市美术作品展览佳作奖;《打工图》、《1976·龙年》入选“世纪风骨50家展”。

 

Realistic Masterpiece That“Moves the Life”-Interview with Professor Xu Weixin of Xu Beihong School of Arts


    Laborers and miners are common people, as well as laudable group. During my interview with Xu Weixin, a professor in the Xu Beihong School of Arts, he said, “I like common people’s lives and so, I persist to my painting style. It is my goal and belief to paint China’s current theme with my realistic painting style to reflect humanitarian concerns.” He also noted meaningfully, “Aestheticism and commercialism paintings are already out of date and cannot express my interior world. I never consider the market when I paint. Previously, I went to a coal mine in Hebei Province and I drew a miner who was burnt in an accident. This painting reflects miners’ true life in contemporary China.”

Keeping a sincere, sympathetic, and virtuous heart, Professor Xu creates many vivid images of laborers with his strict working attitude, active paintbrushes and abundant colors. He goes deep into coal mines to experience miners’ life and spends the time when other people drink tea and coffee on painting.

His early representative pieces include Holy Land Lhasa, Acid Rain, Naan House and Market. All these paintings have many characters with vivid and abundant facial expressions and harmonious and graceful tone.

Xu Weixin entered Teachers’ Department of China Xi’an Academy of Fine Arts in 1978 and studied in the postgraduate class of the Oil Painting Department of Zhejiang Academy of Art in 1985 and got the Master Degree after graduation. His painting Naan House won the first prize in the first China Oil Painting Exhibition in 1987. Later, he taught in the Oil Painting Department of Guangzhou Academy of Fine Arts. Now he is a professor of Xu Beihong School of Arts of Renmin University, as well as the president assistant of the school, Dean of the Painting Department and a member of China Artists Association. In 1999, his oil painting Acid Painting won the bronze prize in the ninth National Arts Exhibition. In 2004, his oil painting Work Shed was exhibited in the 10th National Arts exhibition and Beijing Century Glory Exhibition and won silver prize in the 10th National Arts Exhibition and Literature and Arts Prize of Beijing Government.

Currently, Xu Weixin is creating series of paintings of 250cm * 200cm half-length portraits of miners and prepare to participate “Realism Road” arts exhibition to be held in China National Museum of Fine Arts on April 28, 2006. At the exhibition, visitors can see works of seven famous painters such as Professor Sun Weimin of Central Academy of Fine Arts and Professor Xin Dongwang of Academy of Arts and Designs of Tsinghua University. Today’s masterpiece is tomorrow’s cultural relics and I wish a success to the exhibition.

 

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