[水晶岛 宫泽贤冶的hom mage] 的寄语
畠 健一
由半球体的水晶组合在一起，不知何故，作品放射出不可思议的能量线，数字化的进程，现代社会发展所带来的毫无生气的光亮是那么的遥远，可能这感觉也就我一个人吧。
『以水晶岛 宫泽贤冶的hom mage 命名的仓贯彻的世界。』
一半球体和另一半球体的中间，猫眼石，青玉，钻石，时不时的出现。
看着这一件一件的作品，那不可思议的能量线，让我们感觉到了来自地球的能量线，引导着我们晃动着的那遥远的记忆。
几亿万年前，地球的岩浆从地心向地表活动，其中含有二氧化硅的岩浆钻入泥土，岩石中的空穴，慢慢结晶成为今日之水晶，水晶的主要成分是二氧化硅，化学式为SiO2。具有双折射的特点，我们的地球几亿年前，在这水晶体之上，形成了海洋，【水晶】也可以说是【水的精灵】成为了海洋的基岩，是偶然 ？还是必然 ？在原始的海洋中产生出了生命，然后开始了进化的旅程。在这作为水晶体舞台的地球上，伟大的进化演绎从此轰轰烈烈的展开了。
把水晶切割成小细条后，通电后通过调节电压，自身便会产生振动，其频率是地球绕太阳一周31536000分之一，换言之正确到1秒，以水晶制造的钟表，就是利用这一原理。因为水晶振荡的频率稳定，用来传递记号误差很少。由于水晶芯片的振荡极精准，且极有规律，除了可用来作电子表的时间控制外，还可以执行计算机的精密计算更可用来作计算机间钜大讯息的传输。预知地震，能量扩大Amplify 能源通过水晶能够增强而频率不变，利用水晶进行占卜算卦也是因为水晶具有预知功能。
仓贯彻以前发表了以水晶原石为中心的波动庭院命名的作品，然后在2007年发表了『水晶岛 宫泽贤冶的hom mage』的作品。仓贯彻的敏感度也更上了一层，这和感受到了从水晶体中得到的波动能量是分不开的。从半球体的水晶组合中，看到了闪耀着生命的光辉。
夜空中繁星点点 水面上波光粼粼
那是守护着地球成长的星光和滋润地球给予生存在地球上生命的水的光辉。
仓贯彻的作品就像那染红地球的夕阳，和那给与人希望的雨后彩虹。
那半球体的水晶体中散发出的美丽的光芒，照射到我们的心田，感性的美从我们的心间穿过。在那里必须和宫泽贤冶一起同样去感受到大自然的力量。
（畠 健一 宝石研究家•JBS校长)
On the Occasion of “Homage to Kenji Miyazawa - Crystal Island”
Ken’ichi Hata
Director, Japan Jewelry Business School
Through particular combinations of hemispheres of crystal, somehow the work emanates a mysterious aura. Could I be the only one who senses how different it is from the lackluster light produced by our increasingly digitized modern world?
The world of Toru Kuranuki, called “Homage to Kenji Miyazawa - Crystal Island”.
In the spaces between the hemispheres, here and there, rubies, sapphires and diamonds show their faces.
Looking at these pieces one by one, it comes to me that this mysterious aura could well be the aura of the earth itself.
And then we are guided gently toward memories of eternity.
At the time of the earth’s creation, the heavy elements fell toward the earth’s interior, and lightweight elements such as oxygen (O) and silicon (Si) were left on the surface.
Eventually, oxygen and silicon paired successfully and became quartz crystal (SiO2).
The surface of our earth is covered with crystals.
The surface of the earth - it’s a crystal ball.
Forty billion years ago, the oceans formed on this crystal ball. “Crystal”, also known as “water spirit”, is the foundation under our oceans.
By chance? By necessity? . . . Primeval life was born in the sea . . .
And so began the magnificent evolutionary drama of vibrantly living things, on this crystal-ball stage that is our earth.
A crystal, when finely cut down, can generate a natural vibration frequency via the piezoelectric effect. This vibration is one 31,536,000th of the earth’s rotation around the sun, that is to say, an accurate measurement of one second. The quartz-type transmission clock, or quartz clock, applies this principle. Scientists call it electromagnetism, and the religious refer to it as hado (vibration). Humankind has without a doubt evolved amid the electromagnetism of crystals. Just as animals are sensitive to electromagnetic waves and know when an earthquake is coming, surely there have been people with special gifts who, sensing some disaster in the electromagnetic waves of the crystals that cover the earth’s surface, could foretell the occurrence of changes in the natural world. This is where crystal energy and crystal fortunetelling have their beginnings.
Toru Kuranuki previously exhibited works focused on raw quartz crystal, entitled “Vibration Garden”.
Then in 2007, after a long hiatus, he presented “Homage to Kenji Miyazawa - Crystal Island”.
There can be no doubt that Toru Kuranuki’s sensitivity is one that realizes ever-greater evolutionary progress and is receptive to the vibrations of the earth.
The trueness of the gently swaying glimmers, emanating from the combinations of hemispherical crystals, has become visible.
The sparkling of stars in the night sky. . . The sparkling of water. . .
It is the shining of the stars in the night sky that have watched over the earth since its formation, and the shining of the waters that have moistened the cracked land and given hope of life to all living things that dwell on the earth’s face.
From the works of Toru Kuranuki, interpretations of wild dances of beautiful light have begun to pour forth, one after the other, through the combinations of crystal hemispheres, much as the earth creates a deep red sunset or a hope-filled rainbow.
That light so beautifully shoots through to the sensitivity that lies in our innermost depths. And there we cannot help but feel, in the same way that Kenji Miyazawa felt, the absolute will of nature.
朱屺瞻艺术馆荣幸地邀请您参加
风水庭园仓贯彻艺术作品展 开幕仪式
开 幕 式：2008年5月16日 15:30
地 址：朱屺瞻艺术馆
上海虹口区欧阳路580号
展览开放：2008年5月16至25日
10:00-17:00 (16:30停止售票) 逢星期一休馆
联系电话：+86 21 56710742 56710741
Zhu Qizhan Art Museum is delighted to invite you on May 16th at 3.30 PM to the opening of the exhibition:
Feng Shui Crystal Gardenart worksToru Kuranuki
Address: Zhu Qizhan Art Museum
No. 580 Ouyang Road.
Exhibition Period: May 16 – 25, 2008
Opening hour: 10: 00-17: 00
(Last entry 16: 30, Close on Monday)
Tel: +86 21 56710742，56710741
仓贯彻
1948 出生于大阪府
主要个展
1969 画廊宫崎（大阪）
1971 [屋上展］自家展厅（大阪）
1974 信农桥画廊（大阪）`77 `79 `86 `87
1975 [版画主体个展］由纪欧卡瓦画廊
1976 petei画廊（大阪）
1978 sadofuroa画廊（京都）
1982-84 雕刻画梦（大阪）
1985 adeso画廊（芦屋), bazu收藏室（神户）
1989 I.C.C., Paribas,Nine Arts Gallery(andwnbu柏林)
1990 Pamela Aushincloss Gallery (纽约 美国)
1990-2002 kuranuki-画廊（大阪）
2007 『水晶岛 宫泽贤冶的hom mage』 艺术画廊展示会（大阪）
主要展览
1968 [第3次每日美术大赛展］京都市美术馆（京都）[第21次芦屋市展］`69(兵库)
[7MATERIALS展］masago画廊（大阪）
1969 [具体美术新人展]具体pinakoteka(大阪)[次元`69展]京都市美术馆(京都）
[野外造型`69］鸭川公园（京都）
1970 [京都anndepandan展］京都市美术馆（京都）`71 `75 `77
[现代美术野外庆典］孩子的王国（神乃川）
[现代美术的动向展］京都国立近代美术馆（京都）[20人的方法展］信农桥画廊（大阪）
1972 [作为同一事件的偶然性 、］道顿堀街头活动（大阪）
1973 [中之岛中央公会堂］展（大阪）
1974 [今日的方法`73展］京都市美术馆（京都）`74
1975 [第11回现代日本美术展］东京都美术馆，京都市美术馆（东京／京都）
[第10次日本艺术沙龙庆典展示会］(澳大利亚／他)
1977 [化石展］信农桥画廊(大阪）[现代版画大赛展]大阪府民画廊`77（大阪）
[艺术交流展`77］兵库县立近代美术馆（兵库）
1985 [形态和概念1／20]艺术会场•nosufuto（大阪）
2004 [6人的作家／articulation2004]atokoto艺术画廊（大阪）
KURANUKI, Toru
1948 Born in Osaka
Solo Exhibitions
1969 Toru Kuranuki, Gallery Miyazaki, Osaka
1971 Solo Exhibition at the home roof, Osaka
1974 Toru Kuranuki, Shinanobashi Gallery, Osaka (’77,’79, '81, '86, '87)
1975 Toru Kuranuki-Print, Gallery Yuki Ogawa
1982 Toru Kuranuki, Gamu Sculpture Gallery, Osaka ('83, '84)
1985 Image and Concept, Adesso Gallery
1989 Three exhibitions in Antwerp: I.C.C., Paribas, Nine Arts Gallery, Antwerp, Bergium
1990 Toru Kuranuki, Pamela Auchincloss Gallery, New York
1990-2002 Toru Kuranuki, Gallery Kuranuki, Osaka
2007 Crystal Island, ARTCOURT Gallery, Osaka
Group Exhibitions
1968 The Third Mainichi Bijutsu Competition, Kyoto Municipal Museum of Art, Kyoto
The 21st Ashiya City Exhibition, Hyogo (’69)
7 Materials, Masago Gallery
1969 Gutai Bijutsu Newcomers Exhibition, Gutai Pinacotheca, Osaka
Dimention‘69, Kyoto Municipal Museum of Art, Kyoto
Open Air Formative Art ’69, Kamogawa Park, Kyoto
1970 Kyoto Independent Exhibition, Kyoto Municipal Museum of Art, Kyoto
Contemporary Art-Open Air Festival, Kodomo-no-Kuni, Kanagawa
Modern Art Movement, Kyoto National Museum of Modern Art
The Methods of 20 Artists, Shinanobashi Gallery, Osaka
1972 Exhibition with Norio Imai and Saburou Muraoka, Doton-Bori, Osaka
1973 Nakanoshima Chuo Koukaido Exhibition, Osaka
Methods of Today ‘73, Kyoto Municipal Museum of Art, Kyoto (’74,’75)
1975 The 11th Contemporary Art Exhibition of Japan, Tokyo Metropolitan Art Museum, Tokyo
The 10th Japan Art Festival, Australia
1977 Art Now '77, Hyogo Prefectural Museum of Modern Art, Hyogo
2004 6 Artists / articulation 2004, ARTCOURT Gallery, Osaka
Image & Concept 1/20, Art-Floor North-Fort
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