| 冯良鸿
在纽约，随处可见涂鸦，我想起小时候练习毛笔字的快感，这种差异引发了我对偶发性的实践。
我希望绘画是一种不受约束、自由表达并使观看得到释放的表现形式，这需要全身心投入，捕捉每一次无意中产生的绘画效果，使即兴的细节可能成为绘画语言的依据和叙事对象，成为由“视网膜”观照后的冥想元素。
绘画是另一种形式的思考。我不得不绕开原有的知识与观念，进入自我的未知领域。这过程活生生、直截了当。我必须去发现并回应各种可能产生的疑问，使表达纯粹。其中并不是个人一意孤行的主观意愿，而是心、手与画面的瞬息变迁、交互渗透的因果关系。由此，我不愿刻意追求某种样式，宁可呈现每一绘画细节，真实、自然和无意义，就象事物呈现它本来的面目。
2008.11.7 Graffiti is everywhere in New York, it reminds me of the joys of painting brush characters as a child. This kind of diversity inspired my practice with spontaneity.
I wish for painting to be a manifestation of a lack of restrictions, freedom of expression and can provide a feeling of release for viewers. This requires the complete personal absorption, and seizing each unexpectedly produced result in a painting, letting the impromptu details might possibility become the narrative that the language of painting relies on, become the elements we muse upon after they are registered by our retina.
Painting is a reflection of another form. I must avoid my pre-existing knowledge and constructs, and enter my personal terra incognita. This process is living, straightforward. I have to discover and respond to a variety of possible doubts, and express purity. Among these is not insisting on my personal subjective desires, but are the causal relationship of the evanescent changes in hands, heart and the canvas, and their mutually permeation. Therefore, I am unwilling to painstakingly pursue one style, I would rather present each detail of a painting, reality, nature and insignificance, just like an object presents its true face.
Feng Lianghong November 7, 2008
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