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尹朝阳的作品既“梦幻”又“超现实”，但不管采用表现主义，还是写实的表达方式，总能尊重对现实生活的体验和感受，用绘画表达着自己的艺术理念。理想与现实之间的干戈由艺术来平衡，艺术家敏感的洞察力和锐利的判断力得以让理想化的真实不再遥远。较之先前的创作，近年他的作品面貌和内涵有了很大的变化，最明显的就是从个性化叙事转到宏大叙事，其英雄主义的情结和乌托邦式的梦想隐含着对社会意识的关注，其次是他对生命存在的关注方式的改变，再者丰富的视觉变化的漩涡表达了对消逝的感慨。
尹朝阳是七十年代出生的艺术家的典型代表，他的绘画在中国九十年代末期的具象主义绘画中具有重要的位置。尹朝阳绘画中的图像概念、叙述性以及精神内核都值得我们重视。
本次展览收集了尹朝阳近十年来的各类主题创作，从青春残酷绘画，到乌托邦，再到他的神话系列，一直到去年的新作辐射系列，这是一次较大规模的尹朝阳作品回顾展，它向观众呈现了尹朝阳十年的艺术探索历程。可以说，这样的展览不仅是对艺术现状的呈现，更是对未来的凝望。
Yin Chao-yang's works is "fantastic" and "surrealistic", but whether performance, or realistic way of expression, he always respected the real-life experience and feelings. He likes to express his concept of art with the way of painting. There is art to balance the gap between ideal and reality. Sensitive insight and sharp judgments of artists make reality is no longer so far. Compared with the previous creation, there is a great change in the appearance and content of recent works .The most obvious is the personal narrative to the grand narrative, his heroism and utopian dreams imply a sense of the concern for community. This was followed by his concern about the way life changes. What is more，many visual changes in the vortex express the mixed feelings for lost.
Yin Chao-yang is a typical one during many artists who was born in the 1970s. His painting has an important position in Figurative Expressionism in the late 1990s.The concept, narrative and spirit in paintings belong to Yin Chao-yang are worthy of our attention.
The exhibition collected various types of theme created by Yin Chao-yang over the past 10 years, from youth cruel painting, to Utopia, to the myth , until a new series of radiation made in the last year ,we can say, which is a large-scale exhibition , to show the decades of history of art exploration for the audience. It can be said that this exhibition is not only to show the situation of the arts, but also for the future.
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