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无声的风景
参展艺术家：白东亮、何迟、李川、王亚彬、王亚强、赵罡
策划：翁志娟
展览时间: 2008.06.07-07.06
开幕酒会: 2008.06.07 16:00
展览地点: 北京方音画廊
联系电话: +86 10 8459 9257
电子信箱: fangfineart@yahoo.com.cn
网站: www.ffinegallery.com
风景画在古代被称为山水画，山水画在中国古代绘画中是一个重要的科目，在元明清甚至成为绘画的主流。在中国当代绘画中，许多艺术家也以风景作为自己的创作元素，所不同的是，他们使用的是当代艺术创作的思维方式与观察角度，来描写着周遭的风景，它们包括：自然与环境的、人文与历史的、传统与现代的、工业与科技的、情感与哲理等的各式各样的风景。
白东亮在作品里使用了超现实主义的思维，用一种比较行为的方式，即涂、刷、喷、洒等各种油画创作的手段，把原本是灰色的风景涂抹成自己想象中的青山绿水。赵罡在有蘑菇云的湖面上安排了几个人在游泳嬉戏，两者的对比穿插在画面中形成心理上的落差，更加映衬了人类的渺小感。李川的作品采用了中国画山水的用笔与布景方式，人们仍可在古代山水画的层面上来解读他的作品。王亚彬的画处于抽象与具象的临界点，他把形削减到最低，画面几乎接近于抽象水墨，又类似于变异的文人画。何迟的作品讲究画面之间的搭配，他把画面的布局结合到无规则的排序的当中，把联画做成一张画的概念。王亚强的作品为抽取现代生活与科技化样式的产物，然后将之解构再重置，画面呈现出后现代无厘头的特性。
这一幅幅寂静无声的风景绘画作品，充满了预感性、隐喻性、抒情性、象征性与荒诞性，它们无不触动着我们当下社会的喧嚣现实。
Newsletter
Silent Scenery
Curator: Weng Zhijuan
Artist: Bai Dongliang、He Chi、Li Chuan、Wang Yabin、Wang Yaqiang、Zhao Gang
Time: 2008.06.07-07..06
Opening: 2008.06.07 16:00
Venue: F.Fine Gallery
Tel: +86 10 8459 9257
Email: fangfineart@yahoo.com.cn
Website：www.ffinegallery.com
Landscape painting, known as “Shan Shui painting”in Chinese traditional, is an important subject in ancient Chinese painting and even became the main trend in Yuan, Ming and Qing Dynasty. Many modern Chinese artists are having landscape as elements in their creation and drawing the surrounding scenery in artistic ways of thinking and observing angles of the time, involving various landscapes describing nature and environment, human and history, tradition and modern, industry and science, emotion and philosophy.
With various oil painting actions such as painting, brushing, spraying and sprinkling, and surrealism thoughts, Bai Dongliang turned the original grey scenery into his imaginary blue mountains and green waters. Zhao Gang arranged in his painting several people swimming and playing in the lake where mushroom cloud is raising, the mental contrast formed in the painting tells more about the insignificance of human beings. Li Chuan adopted the brushwork and composition of ancient Chinese landscape painting and on the level of which, the audience can still explain his works. Wang Yabin, who gave the least shape in his works to make them be close to abstract ink and wash or similar as altered painting of man-of-letters, is painting on the critical point of abstract and concrete, he imitated the images and mood of ancient paintings with textures to create an atmosphere for meditation. He Chi pays close attention to the collocation of drawings, his composition of paintings are arranged in an irregular order with the concept of one painting encompassing several connecting pictures. Wang Yaqiang’s paintings are a product from abstracting patterns of modern life and science and technology for deconstruction and replacement, his paintings present a character of postmodernism.
Those paintings imbued with expectations, metaphors, emotions, emblems and fancies, these silent scenery paintings are invariably reflecting the facts of the present noisy society. |
