“塑景”黄振海素描风景作品展
主 办：3+3 空间
策展人：陈 默
艺术总监：满开慧
助 理：熊 鹰
开幕时间：2007年3月10日下午3点
展览日期：2007年3月10日- 3月29日
地点：3+3空间 北京朝阳区酒仙桥路4号大山子798艺术区
电话：010-64379942 64373432
传真：010-64379942
网站:www.3plus3.com.cn
Email:mkh@vip.sina.com
“Scene & Model”the artist Huang zhenhai landscape pencil sketch exhibition
Sponsor: 3+3 space
Curator:Chen mo
Art director:Man kaihui
Assistant:Jones xiong
Opening Reception：Mar. 10.2007 3:00pm
Exhibition Date: Mar. 10- Mar. 29，2007
Address:3+3 space 798 Art district NO.4 Jiuxianqiao Rd, Chaoyang District,
Beijing
Tel: 010-64379942 64373432
Fax: 010-64379942
Website:www.3plus3.com.cn
Email:mkh@vip.sina.com
“塑景”黄振海素描风景作品展--黄振海集评
按照一般的艺术经验，“景”是“画”出来的而非“塑”出来的。这是因为，代代相传的画手们，强调手艺的精到进而获得视觉愉悦。画的表面质量优劣、自是重中之重。这种经验的代代沿袭之果，是人们将注意力更多地投向表层的精致和外在的热闹，并形成一套教条化的制作程式和阅读的“样板”规则。而塑者是由内而外，由里及表。不在意外像的轻浮华丽，但求内省的深沉厚道。在个人修为谨严凝重的铺垫上，精气神的综合发力，所“塑”之形，由心灵深处缓缓溢出。这和当年东坡居士的“眼中竹、心中竹、手中竹”的学说如出一辙，强调的是用心“塑”，而非用手“画”。从这个意义上讲，黄振海因“雕塑”而深得“塑”形之妙理。以人生坎坷而深悟“塑”人之精道。集数十年学养于一身，毕其内力徐徐释放。持强守弱，真人不露相。
--------------《用个人化方式倾力“塑景”》 陈默
……感觉一下回到了三十年前。那时我们正年轻，无忧无虑，无欲无求，整天用铅笔描绘眼前的世界。无所谓题材，也没什么观念，凭的就是一股热爱画画，画个不停的劲头。在黄振海这些素描里，我又看到了这股劲头，感到一种熟悉和亲切的感觉。这种感觉被我淡忘，已经很久了。
……有个人蓬头垢出没山野之中，日复一日地用一支炭笔画那些平静的风景。这件事本身就是一个观念性很强的行为，这个观念就是，在任何利益之乡很明确的大潮中，总有几个逆风而行的人在作着别的事。仅此一点，就已经使这个人的行为和这批作品有了价值。
--------------《素描还有意义吗》何多苓
在写生基础上做些艺术加工，这是黄振海风景素描的工作方式。观看这些作品时，一个老问题又浮现出来：当今符号化的艺术环境中，写生作品意义何在？出路何在？
--------------《看黄振海的画》称丛林
有一种迷惑之中的感触，有一种迷乱之中的感动，有一种迷茫之中的感悟。
--------------朱成
黄振海研究和探索素描的各种表现技法，他注意线条、调子和虚实的表现力，素描调子的准确可以产生色彩的感觉，他刻画得真好，幅幅都好。常有一些画家不知道该画什么，黄振海说：“走出去就知道了，那些人物，那些风景令人着迷”。
--------------《单色却是鲜活的》万启仁
“MODEL THE LANDSCAPE” The exhibition of Huang Zhenhai’s landscape sketch
According to our common experience, we use some kinds of media to draw scenery but not to model it. That because among painters, they hand down their painting skills from generation to generation and emphasize the highly skills to provide us vision enjoyment. Therefore, by following the experience of skills in sketch are important factors, people pay more attention to painting’s delicate surface effect and flowery skills, and then a series of doctrinal approach formed according this way. But ones who modeling in sketch is different to someone only draw sketch. It is from inside to outside means originate from heart. They don’t care of colorful appearance but seek to a kind of inside spirit. Thus, model the landscape here means use your heart and soul to model it. According to this, Huang Zhenhai absorbs marrow from model a sculpture and makes use of it in his art to express his art view.
----------Chen Mo
……My feelings seem to turn back to thirty years ago. At that time we were so young; felt free from all anxieties; held ourselves aloof from the world; happy time made us using our pencil to draw the world we saw everyday. We did not care of subject and notion, we draw sketch very diligent only because we love it so much. Now Huang Zhenhai’s sketch arouse my feeling and memory again which I have been forgotten for so long and make me feel intimate with it and touching.
……There have a man who looks unkempt in mountain forest and keep drawing this common place sight day by day. Only judge from this behavior it is a strong notion behavior, because in our society which benefit have drowned many people, there still have someone go against the phenomenon, just for this point has make the artist and his work have meaning.
---------He Duoling
On the basic of draw from life combine with create work is the working way of Huang Zhenhai’s landscape sketch. Seeing this sketch, an old problem is emerge again: whether draw from nature have it own meaning in this symbolic environment of art? If so where is the way out?
-------- Cheng Conglin
We have some thoughts and feelings from puzzling; we feel touching from perplexity; we feel enlightened from confusion.
--------Zhu Cheng
Huang Zhenhai study many kinds of skills about draw sketch, he lays stress on expression by using line, light and shade, consummate skill of sketch could bring us colorful sensation. I think his sketch works are excellent. Always have some painter confused what to draw, but Hang Zhenhai says: “When you go to the nature you could understand by yourself, people and scenery will makes you fascinated.”
-------- Wan Qiren
|
