展览海报

展览名称：呼唤

艺术家：李晓刚/张文平/喻昌农/汪鹏飞

学术主持：钟涵

策展人：秦烨

主办单位：桥艺术空间  

开幕时间：2022年12月10日 下午3:00

展览时间：2022年12月10日—2023年2月22日

展览地点：北京朝阳区酒仙桥路4号798艺术区D09-1

前    言

大家都知道，一个地区风物的特色，往往能促进相应范围内他的文化艺术的发展。这是艺术绘画史上常见的事情，例如我国历史上有敦煌佛教石窟艺术的影响千年，古埃及法尤姆地方的蜡染工艺的发展闻名世界。我们多民族的国家疆域辽阔广大，近十年来，甘南藏族自治州不断地引起多地油画家的热忱关注，边陲地区已逐渐形成一方采风、写生和创作的新鲜热土。那些具有地方特色的油画受到广泛的重视和研究。

李晓刚 《藏族女子》 30x40cm 酪素坦培拉 2021年

我与四位画家都是前几年在中央美术学院一个油画高研班上结识的。那时我是班上多位老师之一。与二十多位从各地招来的艺术同行道友，在班上多年相处。去年春天他们四位来京策展，邀请我为此展作文介绍，所以有了本文。

张文平《收获的季节》80×160cm-布面油画-2019年

李晓刚同志有很好的学历，早期原在解放军艺术学院毕业，后来又到日本京都艺术大学等处留学，对西方油画历史以及技巧等领域已颇为熟悉，又关注了文艺复兴早期蛋彩画（弗朗切斯卡）等技法的操作，他回国后，再度到我们美院深度进修油画写实的新传统。近年来还持续在李庚先生主导的李可染画院教授弗朗切斯卡湿壁画等课程。这次参展的作品中《汲水的女人》一图，是他当年在高研班时期，在詹建俊老师指导下的出色作品。他的壁画性大作《甘南拉卜楞寺僧众图》为山东收藏家所定制和收藏。此次参展同款作品是专为本次展览重新加工精制，它出色地将名寺的风光、僧以及僧俗两种生活双向综合深入，具有鲜明的创造性。

喻昌农-《路上景观》220cmx200cm-布面综合油彩2022年

 张文平同志本人就是甘肃人和甘肃画家，他在我们高研班时已经带同班友人多次前往甘南、那时的作品即已得奖，后来他的工作单位调离到广西，从此又建立了三地画家之间的联系。喻昌农同志在这个队伍中是新来的高手，他早期远赴俄罗斯进入圣彼得堡列宾美术学院读完了从本科到研究生的全程，师从名教授梅尔尼科夫画室，在2010年以油画创作第一名毕业（作品是以西藏习俗《天葬》为题），随后又在我院高研班毕业。喻昌农同志在艺术教学的师座和重新加深油画创作系列所表现的就是对甘南远山与厚土的反复回响！

汪鹏飞《拉卜楞49号-》80x100cm-布面油画-2017年

我们在这里介绍的第四位是与喻昌农一同多次去甘南埋头工作的汪鹏飞同志。汪鹏飞当年也在高研班进修，后到广西艺术学院工作，近年又再转到中国美院全山石高研班深造，更见新绩。他与喻昌农两位如同兄弟一般，共同实践甘南近年的新篇章。

我们高兴地把这兴发于远山与厚土的呼唤、又经过四位画家勤恳实践落实下来的这个成果焕然表现出来了。

钟涵

 2022年10月1日

Preface

As we all know, the characteristics of a region's scenery can often promote the development of its culture and art within the corresponding scope. This is a common thing in the history of art painting, such as the influence of Dunhuang Buddhist grotto art for thousands of years in our history, and the development of batik technology in Fayoum place in ancient Egypt is world famous. Our multi-ethnic country has a vast territory. In the past ten years, Gannan Tibetan Autonomous Prefecture has continuously attracted the enthusiastic attention of oil painters from many places, and the border areas have gradually formed a fresh hot spot for collecting customs, sketchmaking and creation. Those paintings with local characteristics have been widely valued and studied.

李晓刚-《两个僧侣》-40x40cm--酪素坦培拉--2022年

I got acquainted with the four painters several years ago in an oil painting graduate class of the Central Academy of Fine Arts. I was one of several teachers in my class. With more than 20 art colleagues from all over the world, in the class for many years. Last spring, the four of them came to Beijing to curate an exhibition and invited me to write an introduction for the exhibition, hence I write this article.

张文平《转场之三》60×60cm-布面油画--2018年

Mr.Li Xiaogang has a good record of formal schooling, graduated in the PLA art academy, then study in the schools such as Japan's Kyoto university of the arts, has been very familiar with the western oil painting history and skills, and pay attention to the early Renaissance tempera (franco Francesca) techniques, after he returned home,he came back to our academy depth study the new traditions of realistic painting. In recent years, he has continued to teach Francesca fresco at the Li Keran Art Institute led by Li Geng. One of the works in this exhibition”A Woman collecting Water”, was his outstanding work under the guidance of Mr. Zhan Jianjun when he was in the senior graduate school. His mural masterpiece “Gannan Labrang Monastery monks" is customized and collected by Shandong collectors. The same work in this exhibition is specially reprocessed and refined for this exhibition. It excellently integrates the scenery of the famous temple, the life of the monks and the secular people, with distinct creativity.

喻昌农《金色的玉米粒》-220cmx200cm-布面综合油彩2021年

Zhang Wenping himself is a Gansu province painter. When he was in our senior graduate school, he had taken his classmates to Gannan many times, and his works had won prizes at that time. Later, his work unit was transferred to Guangxi, and from then on, he established the connection between the artists of the three places. Yu Changnong is a new player in the team, his early entered Repin academy of fine arts in St Petersburg in Russia finished from undergraduate to graduate, under the famous Melnikov's studio, in 2010 he graduated first in oil painting school, then graduated in our high research graduate class. What Yu Changnong has shown in his art teaching and re-deepening oil painting series is his repeated echoes to the distant mountains and thick soil of Gannan!

汪鹏飞《远渡之二》220x200cm-布面油彩-2021年

We are here to introduce the fourth painter that work with Yu Changnong many times to Gannan. Wang Pengfei also studied in the advanced research class that year, and then worked in Guangxi University of the Arts. In recent years, he was transferred to the Quan Shanshi advanced research class of China Academy of Fine Arts, and he has made new achievements. He and Yu Changnong as brothers, common practice Gannan in recent years.

We are happy to express the result which originated from the distant mountains and the thick soil, and which has been put into practice by the four painters diligently.

Zhong Han

October 1,2022

李晓刚

李晓刚

中国美术家会员

1983年毕业于解放军艺术学院美术系

1992年日本国立大阪教育大学美术系绘画技法专业硕士研究生毕业

1994-2000年京都造型艺术大学讲师

2007年解放军艺术学院兼职教授

2010年-2012年中央美术学院油画创作高研班毕业

韩国牧园大学博士研究生导师

李可染画院研究员，副院长

张文平

张文平

甘肃省庆阳市人

毕业于西北师范大学美术系

2009年进修于北京画院

2010一2012年在中央美术学院第二届油画高级研究班学习

2017一2019年在文化和旅游部举办的首届主题性美术创作研究班学习

现为广西艺术学院教授，研士研究生导师

中国美术家协会会员

喻昌农

喻昌农

江西万载人 

2010年毕业于列宾美术学院

2012年毕业于中央美术学院油画创作高研班

中国美术家协会会员

南昌师范学院教师

汪鹏飞

汪鹏飞

安徽省歙县人

毕业于中央美术学院油画系

任教于广西艺术学院油画系