展览名称：现在·未来三人展丨雷米·艾融、邢俊勤、胡昌茕
开幕时间：2022年4月30日（周六）下午15:00
展览时间：2022年4月30日至5月20日
展览地点：艺栈画廊，798东街艺术区#D10
联系人：丁女士13001170598
在疫情肆虐的日子里，紧张的气氛笼罩着世界，给大家生活、工作带来很大影响，给人们造成了巨大的心理压力，然而毕竟是春暖花开的季节，艺术像温暖的春风一样，抚慰着我们的心灵。在这里，我们奉上三位不同文化背景、不同成长经历的艺术家作品联展，犹如一缕清新的空气扑面而来。
雷米·艾融、邢俊勤、胡昌茕三位艺术家来自不同的国度，成长于不同的时代。他们的作品相聚于此，和而不同，以各自的艺术语调，共同演绎出和谐的三重唱。
雷米·艾融作品
雷米·艾融是一位非常儒雅的法国艺术家。从他的作品中可以看出，无论是立体主义、至上主义或是东方元素的自然融入，他都能够自由穿梭于平面与立体、抽象与具象之间。无论形式上的转换，还是结构空间的建构，他都能将个人的精神情感和艺术思考安放在视觉的逻辑体系之中。他将空间结构和色彩节奏把握得兼具视觉张力和内敛含蓄的双重气质，优雅而高级的灰色调更是显现出形而上的超现实之境。或者说，他具有西方文人画家的气质，当然这是以中国“文人画”概念所作的未必恰当的比喻。
邢俊勤 枪中的风景.迷彩布丙烯25X120cm
邢俊勤 偶·像-93X121cm丙烯、油彩
邢俊勤 迷彩纪事，93X93cm迷彩布丙烯
用澳大利亚批评家强·麦克当纳尔特所说，邢俊勤是一位行进在两个世界之间的艺术家。他用自己特立独行的艺术思考和方法，把军事绘画的符号巧妙地进行了艺术语言的转换。“邢俊勤对生活、对战争、对人性的思考及其在作品中的表现，让我再次感受了思想对作品的意义”（齐忠亮语）。邢俊勤的“迷彩”艺术符号覆盖的是背后广博的人文情怀和平等的学术历史观。“迷彩”的属性在他的作品中发生了温情的质变，它的形式意味与符号价值转变成一种质感丰富而色彩绚烂的双关语.“邢俊勤把迷彩图案作为文化资源和视觉符号放回到艺术生态中，将题材的决定性因素放回到普通的日常景观，是实现生命质朴关怀的一次成功尝试”（许向群语）。
胡昌茕 《沉默的马》布面蜡彩50×70cm
胡昌茕 《一瞬而过的》木板油画-42×60cm
胡昌茕 《槐树的春芽》木板-矿物质色粉坦培拉-30×42cm
胡昌茕是一位沉静而温厚的青年画家。他以矿物质色粉为主色料，蜂蜡、鸡蛋为调合剂，做成坦培拉媒介剂，以向文艺复兴前期大师致敬的精神创作静穆、沉稳而古朴的绘画。
胡昌茕作品大多是写生而来，但在具象的表面样式之下却是宁静的象征主义特质。他敬意传统，并把现实景观凝固在“灰涩”的色彩体系之中，营造出理性而崇高的意境，让具象绘画衍生出抽象精神。他的画一扫浮尘燥气，朴素而真挚的笔触肌理蕴藏着沉着而涌动的视觉张力。
三位艺术家平心静气的艺术表达，是面对后疫情时代的视觉叙事，也是作品与作品之间、作品与观者之间的一次画聊。
有疫说艺，以艺抗疫，是为序。
ICI LABAS艺栈2022.4.20
法国艺术家 雷米•艾融Rémy ARON
雷米•艾融作品
法国艺术家 雷米•艾融Rémy ARON
法国著名艺术画家，法国美术家协会前主席、法国艺术和文学骑士
1952年4月16日生于法国叙雷纳
毕业于巴黎国立高等美术学院
中国国家画院外籍研究员
泰勒基金会金奖
法国艺术家大奖 - 赛费尔南德·科蒙（泰勒基金会）
1985年至2018年，法国美术家协会主席
邢俊勤
邢俊勤 画室 80X40cm迷彩布丙烯
艺术家 邢俊勤 XING Junqin
邢俊勤，1960年生于山西省寿阳县，军旅画家
1989年毕业于解放军艺术学院，1993年中央美术学院油画系研究班毕业，1995年调入北京军区空军文艺创作室。
2002年第一批进驻798艺术区。同时成为将军事绘画艺术推向国际的第一位军旅画家。曾任北京军区空军文艺创作室创作员，中国美协会员，澳大利亚新南威尔士大学美术学院客座教授，解放军美术创作院画家，山西晋中学院客座教授、大连画院特聘画家，中国人民革命军事博物馆艺术家。
胡昌茕
胡昌茕 《下滑的棚户屋》木板-矿物质色粉坦培拉-30×42cm
艺术家 胡昌茕 Hu Changqiong
1980年生于湖南株洲，2007年硕士毕业于中央美术学院油画系，现为中国艺术研究院油画院特聘画家，教师，学术委员。
其创作初期的作品关注伦理现实中人的悲观处境；近期，以窗内窗外作为有限取景的约束性行为进行写生、创作。在创作技法上，艺术家擅长使用以纯矿物质为色料，以蜂蜡、干酪素、鸡蛋为媒介的坦培拉技法，试图通过将不同的媒介组合在一起，创作出具有更多可能性和直觉上的丰富性的艺术作品。
Present and Future
These days when the pandemic is raging, the tense atmosphere envelops the world, which having a great impact on everyone's life and work, and causing great psychological pressure to people. Even so it is now spring and warm with flowers blossoming and art is like a warm spring breeze, soothing our hearts. Here, we present a group exhibition of the works of three artists with different cultural backgrounds, just like three rays of fresh air.
Rémy Aron, Xing Junqin and Hu Changqiong are three artists from two different countries and grew up in different times. Their works are showcased together here, harmoniously and differently, in their own artistic tones, jointly to interpret a harmonious trio.
Rémy Aron is a very elegant French artist. It can be seen from his works that whether it is Cubism, Supremacism or the natural integration of Oriental elements, he can freely shuttle between 2D and 3D, abstraction and figuration. Whether it is the transformation of form or the construction of structural space, he can place his emotions and artistic thinking in a logical system of vision. He grasps the spatial structure and color rhythm with both visual tension and inner, subtle temperament. His works are elegant using light gray tones to show a metaphysical and surreal realm. In other words, he has the aura of a Western literati painter, which is of course an inappropriate metaphor based on the concept of Chinese "literati painting".
In the words of Australian art critic John McDonald, Xing Junqin is an artist who travels between two worlds. He used his unique artistic thinking and methods to subtly transform the symbols of military painting into an artistic language. As Qi Zhongliang ever commented, "Xing Junqin's contemplation on life, war, and human nature, and those expressions through his work, has made me feel the significance of thoughts embedded in his work again". As Xu Xiangqun ever said, what Xing Junqin's "camouflage" art as his symbol uncovers the broad humanistic feelings and equal views of an academic history behind it. The attributes of "camouflage" underwent a warm qualitative change in his works, and its meaning in form and symbolic value transformed into a pun with richness in texture and brilliance in color. "By using camouflage patterns as cultural resources and visual symbols, and the decisive factor of his subject matter, Xing Junqin has returned to an art ecology as well as a daily landscape. All those are his successful attempt to realize the essential care of a life".
Hu Changqiong is a quiet and gentle younger painter. By using mineral paint in powder as a pigment, beeswax and egg as a mixture, he made Tempera his media to create paintings of calmness, heaviness and ancientness so as to spiritually pay tribute to the masters of the early Renaissance period.
Most of Hu Changqiong's work are sketches made in outfields, but beneath the figurative surface his style is of a serene symbolist character. He pays homage to traditions and solidifies the realistic landscape in a "gray" color system, to create a rational and sublime artistic experience, allowing figurative painting to derive an abstractive spirit. In his paintings he swept away the dusty particles and impetuousness, instead, those brushstrokes and textures in simplicity and sincerity showcase a calm and surging visual tension.
The artistic expression in calmness by the three artists could be regarded as a visual narrative facing the post-pandemic era, and it maybe a conversation between one and another work, or between a work and a viewer.
In the days when the pandemic is raging, let art be talking, and let art fight the pandemic, thus is the way.
ICI LABAS艺栈丨Gallery ICI LABAS
2022.4.20
邢俊勤/文丨text by Xing Junqin
晋华/翻译丨translated into English by Jin Hua
