展览海报
策展人：孟媛
Curator: Meng Yuan
参展艺术家：黄铁舟、郭煜
Artists: Huang Tiezhou、Guo Yu
主办单位：桥艺术空间
Organizer：Art Bridge Gallery
开幕时间：2021年1月30日 下午3:00
Opening： Jan 30.2021 at 3:00 p.m
展览时间：2021年1月30日—2021年3月7日
Exhibition Date: Jan 30.2020 — Mar 7.2021
展览地点：北京朝阳区酒仙桥路4号798艺术区D09-1
Address: D09-1 No.4，798Art zone Jiuxianqiao Road，Chaoyang District，Beijing,China
前言 | Preface
从偶发到常态，是避无可避到习惯。当新冠疫情成为从2020年到2021年的常态，这个二十一世纪最冷的冬天似乎更加难捱。
这次展览其实从去年就已经开始筹备，因为疫情一拖再拖，在临近开展前又赶上了新一波的疫情。河北石家庄是我和雕塑家黄铁舟的家乡，一批作品也被困在家乡，增加了展览的不确定性。常态又促成了偶然，艺术的魅力或许也在于此，在措不及防的偶发中生发出无限的创造力。
黄铁舟原定准备展出的一组人物，延续着一贯以人的形象为主体的系列。《世界》中那些异化了的人的形态，没有性别，身体与面孔趋于一致，圆瞪得眼睛如力士般不怒自威，大张的嘴仿佛在无声的嘶吼，过分纤细的腰肢与四肢，被拉长后充满物体感的完美身躯，夸张的肢体动作，聚集在一起形成了人所构成的场域。所有的异化特征都在昭示着艺术家对于人特质的特意去除，和另一种意义上的统一和同化。在《世界》中，是人的身份去除后，他者的凝视消失后，雕塑家对于人本身的存在，关于自我意识的剖析。
▲ 《灵感》 190×142cm 纸喷绘 2021年
另一位雕塑家郭煜将创作重心放在了“物”的理解上。在他的“框”系列金属浮雕作品中，基于以往创作雕塑作品草图中的形体，将偶发的“形”以金属材质碳钢涂漆的方式固化下来，作为一个个镂空的几何形体以鲜明的色彩在空间中组合重叠。郭煜的另一组作品以推敲形体为乐，在日常积累的形体感受上，将物体经过不同方式的旋转而最终成为创作中的形态。物的使用价值被消除了，从而放大了物体本身的特征，通过对于形体的把握占据限定的空间，从而表达出对于“力”与“秩序”的思考。
▲ 《P0RTAIT B》40×38×63cm 光敏树脂、漆 2020年
“人与物”的关系在远古时代人类的祖先开始制作和使用打制石器时，就已经开始出现。而在大数据时代，人和物的界限却越来越模糊。人在算法下被解构为一个个数据流；而AI时代的到来，使得人工智能变得越来越趋向于人。人逐渐物化，物逐渐拟人化。
展览中选择了两位雕塑家，他们以人之手创造物，把人的思考具现在物体中。
人言物，物喻人。在人与物不断变化的关系中，艺术作品成为了最佳的诠释。
孟媛 策展人 清华大学美术学院博士
2021.01.19
When the occasional became normal, the inevitable became our habit, here you see what the covid-19 epidemic did to us from 2019 till 2021. Now we have the most freezing winter in twenty-first Century.
In fact, the preparations for this exhibition have been started since last year. Because of the epidemic situation, the exhibition has been delayed several times and caught up with a new wave of epidemic situation just as we decided our opening ceremony date. Shijiazhuang, Hebei Province is the hometown of sculptor Huang Tiezhou and I. A number of works are also trapped in our hometown, which increases the uncertainty of the exhibition. The charm of art may also lie in this, which produces infinite creativity in the unexpected.
Originally, Huang Tiezhou planned to exhibit a group of characters, which continues his series of human image. The alienated human form in the World (2020) has no gender, the body and face tend to be the same, the eyes are like the warriors’, the mouth seems to roar silently, the waist and limbs are slender, the elongated body full of sense of object seems perfect, and the body movements is exaggerated, all of these elements gather together to form a human field domain. All the features of alienation show the artist's intentional removal of human characteristics. This represent the unity and assimilation in some sense. World represent the sculptor's analysis of human existence and self-consciousness after the removal of human identity and the disappearance of the gaze of the other.
Guo Yu, another sculptor, focuses on the understanding of "object". In his metal relief works, Frame (2020) series, based on the previous sketches, the occasional "shape" is solidified in the way of metal carbon steel, as a hollowed out geometric shape, combined and overlapped in the space with bright colors. Another group of Guo Yu's works relates to his intrerst in examining the shape of objects. In the daily accumulation of his feelings, the object is rotated in different ways and finally becomes the form in his creation. The use value of the object is eliminated, which enlarges the characteristics of the object itself. Through the grasp of the form, it occupies the limited space, thus expressing the thinking of "force" and "order".
The relationship between man and object began to appear in ancient times when our ancestors began to make and use stone tools. In the age of Big Data, the boundaries between people and things are becoming more and more blurred. People are deconstructed as data streams under the algorithm, and the arrival of AI era makes artificial intelligence looks more and more like human being. Gradually, humans are materialized and things imitate people. There are two sculptors in this exhibition. Focusing the theme of human or object, they created objects with human hands and injected human thinking into the objects.
Human becomes object and object becomes human. In the changing relationship between human and object, art works are the best interpretation.
Meng Yuan, Curator,
PhD, Academy of Fine Arts, Tsinghua University
19th, Jan, 2021
关于艺术家
About Artist
艺术家黄铁舟
黄铁舟
1988 年出生于河北省石家庄
现为 北京城市学院艺术学部教师
石家庄美术家协会雕塑艺委会副主任
河北省青年美术家协会常务理事
诚信女子大学雕塑系博士
教育背景
2021年 诚信女子大学雕塑系博士
2017年 硕士毕业于广西艺术学院雕塑系
2012年 本科毕业于广州美术学院雕塑系
主要作品获奖及参展情况：
2019年 河北省青年美术家邀请展“青春的光辉”，石家庄美术馆
2018年 河北省文创大赛并获奖，河北博物院
2017年 “倾情挥毫迎盛世•民主法治谱新篇一一迎庆党的19大胜利召开大型书画艺术展 ”，获一等奖
2017年 “安龙木纹杯”石材应用国际创新设计鼎石奖大赛，获二等奖，作品被收藏
2016年 湖北“风口”邀请展，作品被美术馆收藏
2015年 北京三界外当代艺术展
2015年 湖北东湖青年雕塑家邀请赛，作品被放大，放置于武汉市公共空间
2012年 张家口国际雕塑邀请赛，获优秀奖，作品被放大，放置于在张家口市公共空间
Huang Tiezhou
1988
Born in Shijianzhuang, Hebei Province
Now
Beijing City University Art Department teacher
Deputy director of Sculpture Art Committee of Shijiazhuang Artists Association
Executive director of Hebei Young Artists Association
Doctoral Candidate of Sungshin University
Edcational background
2021
Enrolled in Sculpture Department, Sungshin University, Doctoral Candidate
2017
Graduated from Sculpture Department of Guangxi Academy of Arts, Master’s Degree
2012
Graduated from Sculpture Department of Guangzhou Academy of Fine Arts, Bachelor’s Degree
Awards and Exhibitions
2019
Hebei Young Artists Invitation Exhibition "The Glory of Youth", Shijiazhuang Art Museum
2018
Cultural and Creative Contest of Hebei Province , Hebei Museum
2017
First prize of Calligraphy and Painting Art Exhibition in Celebration of the 19th Victory of the Communist Party of China
2017
"Anlong Wood Grain" Stone Application International Innovative Design Ding Shi Award Competition and won the second prize. The works are collected by local institutions
2016
Hubei "Tuyere" Invitation Exhibition, and the work was collected by the art museum
2015
Beijing “Outside the three World” Contemporary Art Exhibition
2015
Hubei East Lake Young Sculptor Invitational Competition, the work was enlarged and placed in the public space of Wuhan city
2012
The Outstanding Award in 2012 Zhangjiakou International Sculpture Invitational Competition, the work is enlarged and placed in the public space of Zhangjiakou
艺术家郭煜
郭煜
1978 年出生于陕西
2009 北京城市学院艺术设计学部教师
2021 现任北京城市学院艺术设计学部副主任
中国雕塑学会会员
中国现代雕塑研究院研究员
中国印刷技术协会创意设计专业委员
北京美术家协会会员
教育背景
2008年硕士毕业于法国布尔日国立高等美术学院（Ecole Nationale Superieure d’Art de Bourges），获法国国家高等造型艺术硕士学位（DNSEP)；研究生期间跟随Nicolas Herubel和DIdier Mencoboni 学习西方当代艺术，以fragelite（易碎性、不稳固）为创作方向。
2004年本科毕业于西安美术学院雕塑系，获文学学士学位，师从牟运道学习西方雕塑塑形方法ss、师从陈云岗学习中国塑造语言，参与家父主持的城市雕塑设计。
主要作品获奖及参展情况：
2019年 雕塑作品《灵动》 地点北京长城资产总部
2018年 数字雕塑作品《重音符》《微观系列之四》《微观系列之五》参加独有才华联展
2017年 数字雕塑作品《风》《过山云》参加2017北京首届混凝土雕塑创作营 地点北京市昌平北京低碳雕塑园
2017年 数字雕塑作品《重音符》《过山云》《微观系列之四》《微观系列之五》入选2017中国现代雕塑研究院研究员作品展
2017年 数字雕塑作品《微观系列之四》入选北京美协2017新人新作展
2016年 数字雕塑作品《佛本生·九色鹿》入选2016云冈国际佛教雕塑艺术大展
2016年 数字雕塑作品《风》入选北京美协2016新人新作展
2015年 数字雕塑作品《佛本生·九色鹿》入选第二届中国当代佛教艺术展
2014年 数字雕塑作品《青春筑梦》获得哈尔滨市青年雕塑大赛二等奖
2012年 雕塑系列作品《器物系列》在美国纽约州立大学布法罗学院展出
2008年 雕塑系列作品《重回自然》 在法国布尔日国立高等美术学院展出
2007年 雕塑系列作品《证据》 在法国布尔日国立美术学院展出
2006年 雕塑作品《回声》在法国伊苏丹市美术馆展出
2012年 设计制作《释迦摩尼坐像》 地点河北省承德市鼎盛王朝
2010年 设计制作汉白玉浮雕《九龙壁》 安置于河北省承德行宫酒店外广场
2004年 雕塑作品《于佑任》获2004届西安美术学院本科毕业设计作品展一等奖
2003年 雕塑作品《鱼龙》安置于西安外事学院图书馆前广场
2002年 浮雕作品《道》《器》 安置于西安交通大学管理学院教学楼
Guo Yu
1978
Born in Shanxi Province
2009
Teacher of Art and Design Department, Beijing City University
2021
Deputy Director of Art and Design Department, Beijing City University
Member of China Sculpture Society
Researcher of China Modern Sculpture Institute
Committee member of creative design of China Printing Technology Association
Member of Beijing Artists Association
Edcational background
In 2008, he graduated from Ecole Nationale Superieure d 'Art de Bourges in France with a Master's Degree in National Advanced Plastic Arts (DNSEP).He studied Western contemporary art with Nicolas Herubel and Didier Mencoboni, focusing on Fragelite (fragility, instability) as his inspire.
In 2004, he graduated from the Sculpture Department of Xi 'an Academy of Fine Arts with a Bachelor of Arts degree. He studied Western Sculpture Modeling Method under Mou Yundao and Chinese Sculpture Language under Chen Yungang, and participated in the urban sculpture design presided by his father.
Awards and Exhibitions
2019
Sculpture " Etherealize " displayed at headquarters of Great Wall Capital in Beijing.
2018
The digital sculpture works "Double Note", "Micro Series IV" and "Micro Series V" were exhibited in the exclusive talent exhibition.
2017
The digital sculptures “Wind” and “Clouds Crossing the Mountain” participated in the 2017 Beijing Concrete Sculpture Creation Camp.
2017
Digital sculpture works "Double Notes", "Cloud Crossing the Mountain", "Micro Series IV" and "Micro Series V" were selected into 2017 China Modern Sculpture Research Institute Researcher's Works Exhibition.
2017
The digital sculpture "Micro Series IV" was selected into the 2017 New Artist Exhibition of Beijing Artists Association.
2016
The digital sculpture "Buddha Jataka· Nine Colour Deer" was selected into the 2016 Yungang International Buddhist Sculpture Art Exhibition.
2016
The digital sculpture "Wind" was selected into the 2016 New Artist Exhibition of Beijing Artists Association.
2015
The digital sculpture "Buddha Jataka· Nine Colour Deer" was selected into the second China Contemporary Buddhist Art Exhibition.
2014
The digital sculpture "Youth Building Dreams" won the second prize in Harbin Youth Sculpture Competition.
2012
The sculpture series "Instrumentation Series" was exhibited at the College of Buffalo, State University of New York, USA.
2008
The sculpture series "Return to Nature" was exhibited at the Ecole Nationale Superieure des Beautiers de Bourges.
2007
Sculpture series "Evidence" was exhibited at the Ecole Nationale Superieure des Beautiers de Bourges.
2006
Sculpture "Echo" was exhibited in the Art Museum of Isultan, France.
2012
Designed and produced the Sitting Statue of Sakyamuni in Dingsheng Dynasty, Chengde City, Hebei Province.
2010
Designed and produced the white marble relief "Nine Dragon Wall", placed in the plaza of Chengde Palace Hotel, Hebei Province.
2004
Sculpture "Yu Youren" won the first prize in the 2004 Xi 'an Academy of Fine Arts undergraduate graduation design exhibition.
2003
Sculpture "Fish Dragon" was placed in the square in front of the library of Xi 'an University of Foreign Affairs.
2002
The relief works "Tao" and "Device" were placed in the teaching building of School of Management, Xi 'an Transportation University.
