段煜婷 Duan Yuting
作为中国当代摄影的重要策展人，段煜婷女士长期致力于中国当代摄影的策展、传播，长期担任多个国际重要摄影奖项评委及多个国际重要摄影节的策展人。2000年编著大型纪实摄影丛书《中国故事》；2001年至2003年被世界新闻摄影基金会(WPP)选为中国大师班成员参加为期3年的学习；2005年发起、策划连州国际摄影年展项目；2005年底被评为“2005中国摄影十大焦点人物”；2006年5月“中国摄影五十年”大型回顾展特约策展人；2006年11月受邀担任德国柏林摄影节评委；2007年1月受邀担任法国巴黎摄影双年展中国部分策展人；2007年英国伯明翰摄影节大师评审会评委；2007年德国柏林摄影节大师评审会评委；2008年4月首届希腊摄影双年展评委；2008年5月柏林摄影节评委；2008年6月，北京摄影季论坛发言人：2009年5月中国摄影金像奖评委；2009年－2010年南方短片节评委；2010年6月瑞士日内瓦摄影节评委；2010年7月法国才华摄影基金奖评委；英国 Prix Pictet 摄影奖提名人；2012年莫斯科摄影双年展策展人；2012大邱摄影双年展评委；2012丹麦摄影三年展评委；哈苏摄影大师奖中国区提名人；2014欧洲新摄影论坛专家；2014美国休斯顿摄影双年展专家见面会评委;2014年阿根廷摄影节策展人。
Dedicated in curatorship, spreading and promotion of China’s contemporary photography and management of art projects. Has been hostess of the column of “Photographer Interview” and editor of theory edition of People's Photography; photo editor and photo chief director for New Express under Yangcheng Evening News Group; in 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th century's; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director and has been chosen as Top Ten Character of China Photography of the Year 2005; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury of the 1st Salonika Photo Biennale 2008, Greece. May 2008, Reviewer for FOTOBILD Berlin. May, 2009, Reviewer for China Photography Awards; Sep.2009 & Sep.2010, Judger for Southern Porket Film Festival. June,2010 Viewer for 50JPG, Geneva; July, 2010, Jury for Photography Talent Award, France. Nominator of 2011 Prix Pictet Photography Prize; Curator of 2012 Moscow Photo Biennale.Nominator for the Hasselblad Award 2012.Reviewer for European New Photography Forum 2014; Reviewer for Houston Photography Biennial 2014;Curator for Festival of Light Argentina 2014.
年度学术主持：鲍昆 President of Academic Committee: Bao Kun
策展人，摄影批评家。1953年出生于北京。
1997年任中央电视台大型纪录片《黄河》策划人。2002年任中国摄影家协会理事会理事。2003年任中央电视台摄影栏目《瞬间世界》执行主编。2004年任武夷山国际摄影周策展人。2005年任桂林国际摄影节策展人，第十一届中国国际摄影艺术展评委。2006年在宋庄美术馆策划《天地间——现实主义的记忆》摄影展。2007年3月被《摄影之友》杂志评选为年度最重要摄影人物，任第二届广州国际摄影双年展学术主持和第七届中国摄影金像奖评委，任第七届平遥国际摄影大展策展人，任第三届连州国际摄影年展策展人。2008年担任第一届北京摄影季艺术总监，任第八届平遥国际摄影大展策展人，第四届连州国际摄影年展总策展人。2013年任第十三届平遥国际摄影大展学术主持。
A curator and photography critic. Born in Beijing in 1953. 1997, planner for CCTV large documentary Yellow River; 2002, board director of CPA; 2003, executive editor in chief for CCTV program Instant World; 2004, curator for Wuyi Mountain International Photography Week; 2005, curator for Guilin International Photo Festival; judge for the 11th China International Photography Exhibition; theory criticism first prize winner for article A Romantic Century by China Federation of Literary and Art Circles; 2006, curator for “Between Heaven and Earth - Realistic Memory” Photo Exhibition in Songzhuang Gallery; academic panel member of the Second Lianzhou International Photo Festival; March, 2007, chosen as the “Most Important Photography Character of the Year” by FOTOMEN; academic director of the Second Guangzhou International Photo Biennale; judge for the Seventh China Photography Gold Image Award; curator for the Seventh Pingyao International Photography Festival; Curator for Third Lianzhou International Photo Festival 2007; Been entrusted as the Art Director for the 1st Beijing Photography Season in 2008; Curator for the Eighth Pingyao International Photography Festival, the chief curator for Fourth Lianzhou International Photo Festival；Curator for The Thirteenth Pingyao International Photography Festival 2013.
学术委员会轮值主席：朱大可 Zhu Dake
悉尼科技大学哲学博士，当代著名文化学者、批评家、小说及随笔作家。朱大可崛起于20世纪80年代中期，曾是当时先锋文化的重要代言人。持续二十年影响中国思想界，深入介入当代中国的文化热点和时事，并以新锐的思想和独特的话语方式见长，在中国文化界负有盛名，被认为是中国最优秀的批评家之一。业内认为其在八十年代的思想和文化界，足与李泽厚、刘再复等人齐名。2006年9月号的《凤凰生活》杂志推出“影响世界未来50华人榜”，朱大可以“中国文化守望者”的身份入选，与余秋雨、李敖、王小慧、程抱一等人一起，成为“思想的力量”的代表。朱大可因其前卫的思想、对社会弊端的激烈批评、独特的话语方式，以及守望文化现状的理性和深刻，对当代文化研究领域产生广泛影响。他的批评文字，被许多人称作“朱语”，是一种感性和理性交织的隐喻式书写，多年来受到许多青年读者的喜爱和模仿。因为这些打磨了三十年时间的语言钻石和独特的言说方式，他和他的作品甚至被拥趸们认为具有“像先知般绝世而独立”的祭司气质和预言功能。其代表性著作有《燃烧的迷津》、《聒噪的时代》、《逃亡者档案》、《话语的闪电》、《守望者的文化月历》、《21世纪中国文化地图》（大型文化年鉴，目前已经三卷）等。
Zhu Dake is a Chinese scholar, cultural critic and essayist. He was educated in the department of Chinese language of East China Normal University and then was awarded a PhD in University of Technology, Sydney in Australia. He has also been a visiting scholar at the University of Sydney.
Rising to prominence in the mid-1980s, Zhu was an important spokesman of the avant-garde culture. He is considered adept in expressing his rational knowledge and determination toward the maintenance and development of the current culture with his advanced and sharp thoughts as well as his unique style of language. He was listed in "50 Top Chinese Influencing the World’s Future" by the weekly magazine Phoenix Life.With his progressive thinking, harsh criticism of social injustice and deep understanding of the Chinese culture, Zhu continues to have a tremendous influence on modern Chinese culture. His criticism is often coined as “Zhu Words” by his followers, a metaphoric style of writing intertwined with both rationality and sensibility. His representative works include "The Burning Papañca", "Escapee’s Dossiers","The Festival of Liumang" and "Review of the 21st Century Chinese Culture".
罗伯特•普雷基 Robert Pledge
1942年出生于英国伦敦，1952年迁居法国巴黎。主修西非语言和人类学，以非洲研究专家身份踏上记者生涯。后成为视觉艺术杂志《伸缩镜》（Zoom）的编辑，并于1976年担任伽马图片社美国办事处主编。1976年，与美国摄影师大卫•伯内特在纽约共同创办联系图片社（Contact Press Images）。曾主编出版多部图书，自1988年来在中国以及其他国家策划过众多摄影展并多次担任评委，包括荷赛大奖、美国尤金•史密斯基金会人道主义摄影奖。现居住于巴黎和纽约，并频繁往来中国。
Born in 1942 in London, UK and moved to Paris, France at the age of ten. A student of West African languages and anthropology, he found his way into journalism as a specialist in African affairs. In 1970 he became an editor at the French bi-monthly visual arts Zoom, le magazine de l’image and in 1973 the director of the New York office of the picture agency Gamma. In 1976 he founded Contact Press Images in New York with American photographer David Burnett. He has curated major exhibitions worldwide and served on prestigious international juries including that of the World Press Photo Foundation, three times. He commutes between Paris and New York.
弗朗索•萨瓦尔 François Cheval
在过去的几年里，我经常强调这样一个事实：我是在斯大林去世后的一年出生的，我出生的前几个月1954年的奠边府战役法国刚刚战败，所以这就暗示了我的双重身份：我是一个反斯大林主义者，也是一个反殖民主义者。
我在社会学和人类学领域的学习研究以及在七十年代的政治运动经历都还不足以让我胜任博物馆馆长的职位。
但随后事情发生了变化，根据左派人士（如今他们都已当权）的意愿，我整合了博物馆的馆长体制。从各方面考虑，使我的职业实践得以成形的事物多是我在大学校园内外学到的东西。马塞尔•莫斯向我展示了艺术市场的运作方式，P•布迪厄尔让我对业余摄影有了新的看法；鲍德里亚教给我符号的政治含义，而布尔加克夫自然在卡尔•马克思之后找到了定位。
如今，我认为第一个业余摄影师堪称为无政府主义者，因为他们有点接近《寄生虫》（帕索里尼导演的一部影片）里的特征。当我沉浸在贾克梅里的摄影作品中，我感觉自己像是一个大平原上的印第安人……那一刻仿佛能飞起来。然而说到底，我不过只是一个不称职的人类学家，遗失在博物馆漫长的长廊里。
In the course of the past few years, I frequently pointed out the fact that I was born one year after Stalin’s death, a few months after the French defeat at Diên Biên Phû in1954 and, consequently, under the double sign of anti-stalinism and anti-colonialism. My studies in sociology and anthropology, as well my political activities in the seventies, had hardly prepared me for a position of museum curator. But things had changed, and by the will of the left that then held power, I integrated the body of museum curators. All things considered, what gave form to my professional practice was rather what I had learned at university – and outside university. Marcel Mauss revealed the functioning of the Art market to me; P. Bourdieu gave me new perspectives on amateur photography; Baudrillard taught me the political nature of signs, and Boulgakov naturally found his place alongside Karl Marx. Today, I consider the first paparazzi as anarchists, somewhat close to the characters of Accatone. And when I immerse myself in the pictures of Giacomelli, I feel like a Plains Indian… and I fly. When all is said and done, I am just a bad anthropologist lost in the corridors of a museum.
米歇尔•菲利博 Michel Philippot
米歇尔•菲利博作为特约记者为西格玛图片社工作了十年，并曾担任伽玛图片社的图片编辑，与Globe Hebdo、L'Événement du jeudi、VOD以及《世界报》等多家杂志社合作。目前是一位独立的策展顾问。
Worked as contributing reporter for the Sygma for 10 tens，he then served as a picture editor for the Gamma Press, and collaborate with varies magazines such as Globe Hebdo、L'Événement du jeudi、VOD and Le Monde. He is now an independent photography consultant and curator.
毛卫东 Mao Weidong
1968年出生于陕西西安，现生活、工作于北京。1988-2009年，在国营单位任职。自1995年开始从事艺术文献的翻译工作。2009-2014年任职于北京三影堂摄影艺术中心。目前专门从事摄影理论和史论书籍的翻译出版工作，并创办独立摄影文论期刊《摄影文论丛刊》。翻译出版的摄影译著有：《如何判断摄影作品的真实性》（香港摄影文库出版有限公司）、《针孔摄影：从传统技法到数码应用》（世界图书出版公司）、《摄影展览指南》（世界图书出版有限公司）、《摄影理论历史脉络与案例分析》（中国民族摄影艺术出版社）、《摄影对话录》（中国民族摄影艺术出版社暨香港摄影文库出版有限公司）等。
Born in Xi'an in 1968, Lives and works Beijing. He worked in state-owned company between 1988-2009. Since 1995 he began his career as an art literature translator. 2009-2014 he worked at Three Shadows Photography Art Centre. He is currently working on the translation and publication of photography theory and history works. He founded an independent photography literary journal “Journal of Photographic Essay." Translated and published works: "How to Judge the Authenticity of Photographic Works" (Hong Kong Photography Library Press), "Pinhole Photography: From Traditional Techniques to Digital Applications" (World Publishing Company), "Photography Exhibition Guide" (World Publishing Co.), "Photography Theory in Historic Perspective" (China National Photographic Art Publishing House), "Dialogue with Photography" (China National Photographic Art Publishing House / Hong Kong Photography Library Press) and so on.
杜曦云 Du Xiyun
著名策展人，视觉文化研究者。1978年生，本科学油画，硕士读美术理论。对视觉作品敏锐准确的判断力，对历史和社会背景的重视，是他的鲜明特点。他策划了很多大型当代艺术展，并有很多犀利的文章广为传播。曾主编过《美术焦点》、《艺术时代》、《德美艺刊》等专业刊物，也曾发起和组织备受瞩目的“中国当代艺术金棕榈•金酸莓评奖”，近年来还担任《成都商报》艺术专栏主笔、《中外对话》的艺术撰稿人等。面对当下艺术界基本常识的混乱，他不断回到原始出发点，澄清基本常识。他强调在国际视野、当代文明的背景中判断中国当代艺术，在政治经济学的框架中界定文化。
Du Xiyun, a famous curator and scholar steeped in visual culture. Born in 1978, Mr. Du received his Bachelor’s Degree in oilpainting and a Master’s Degree in art theories.
A keen, accurate eye for visual artwork and the emphasis on historical and societal background are his distinctive characteristics. He has curated numerous large contemporary art exhibitions and many trenchant articles which have been widely disseminated. Not only was he previously in charge of professional magazines such as Art Focus, ARTTIME, BA ART, but he also initiated and organized the “Chinese Contemporary Art: Golden Palm • Golden Razzies Awards”. In recent years, Mr. Du also serves as the chief writer of the art column of Chengdu Business Daily and is a contributor of China Dialogue.
Facing the chaotic nature of general knowledge of the contemporary art world, he constantly goes back to the original starting point and clarifies these issues. He pays attention to evaluating Chinese contemporary art in the context of global vision and modern civilization, as well as defining culture in the framework of political economy.
章翔鸥 Zhang Xiangou
笔名大门，1975年出生于温州。摄影师、策展人、影像批评家。中国摄影家协会策展委员会委员，连州国际摄影年展展览总监。 2004年，武夷山国际摄影周获人类摄影进步奖；2006年参加宋庄美术馆开幕群展“天地间——现实主义的记忆”；2009年丽水国际摄影文化节获十大策展人奖；2009年—2013年丽水国际摄影文化节策展人；2012年，济南摄影双年展展览总监；2013年，今日美术馆“隐没地——上圈组村民与艺术家的影像实验”展览总监。出版：2003年《眼睛的立场》， 2009年《梦开始的村庄》
Zhang Xiangou was born in Wenzhou in 1975. He is a professional photographer, curator, art critic and a member of the curatorial committee of the Chinese Photographers Association. Currently he is also the Exhibition Director of Lianzhou Foto. He has curated many exhibitions including "Hidden Land: Shangjuanzu Villagers and Artists' Image Experiment" at Today Art Museum, 2013; China (Jinan) Contemporary International Photography Biennial, 2012 and Lianzhou Foto and Lishui International Photo Festival, 2011. He received the 10 Best Curators in China award in 2009. As a photographer, he has published “The Village Where Dream Begins” in 2009 and “Perspective of the Eye” in 2003.
尚 陆 Jean Loh
法籍华裔，巴黎政治学院、巴黎索邦大学硕士，国际摄影策展人，上海比极影像画廊艺术总监，美国穿越亚洲摄影杂志编辑委员，美国露西基金会露西摄影金像奖提名委员。主要策展：马克•吕布回顾展中国14个城市巡回展《自觉的瞬间》。2013年大理摄影节《东西大理》11人展，2011-2013年缅甸仰光国际摄影节大赛评委，策划《杰出的女人》、《中国污染》展，《巴黎雅顾影楼和肖像艺术》讲座。 2008年柬埔寨金边国际摄影节策展《内像》，2012年王淋《流浪的郁金香》。2011年意大利亚历山大利亚双年展策划中国摄影家联展。2010-2012年北京草场地摄影季专家见面会专家。
French national of Chinese origin. Graduate of Sciences-Po Paris. Master from Sorbonne Paris-IV.
Photography curator, art director of Beaugeste Gallery in Shanghai, book editors, member of the editorial board ofTrans-Asia Photography Review, advisor on the board of Lucie Foundation for Lucie Awards.
Recent exhibitions include : Marc Riboud Retrospective in China (14-city tour, last stop Chongqing Jiashan Museum), Bruno Barbey’s China in Kodachrome (Kunming Museum), Isabel Munoz’ Shaolin Dancing Warriors, Li Zhensheng’s "Winds & Clouds", Zhe Chen’s "Bees". Studio Harcourt (projection) and Lu Guang’s Pollution in China at Yangon Photo, Wang Lin’s Stray Tulips at Phnom Penh Photo, etc. "East West See Dali" Eleven Photographers Residential Project at 2013 Dali Photo Festival.
施瀚涛 Shi Hantao
著名策展人，现任瑞象馆执行馆长。曾任上海外滩美术馆营销发展组总监；美国芝加哥艺术学院"艺术管理与政策研究"硕士；中国首家专业摄影画廊——“原点画廊”创办人；2005年获连州国际摄影节年度摄影策展人奖；具有丰富的策展经验，并有大量艺术评论及翻译发表。
Curator, executive director of the Ray Art Center. Former director of marketing development department of Shanghai Bund Art Museum; he recieved his master degree of Art Management from the Institute of Art Chicago;he is the founder of China's first professional photography gallery; won the Annual Photography Curator Award from Lianzhou International Photography Festival 2005; he has extensive curatorial experience, and a large number of art criticism and translation works published.
吴毅强 Wu Yiqiang
浙江大学美学与理论批评研究所博士，新浪品图专栏作家、青年艺术批评家、青年学者，四月风影像文化网资深评论员。主要从事现当代艺术批评和研究、影像文化批评。近两年来密切关注摄影领域，将摄影放入当代艺术和视觉文化的背景中进行综合考量，并就摄影与社会、摄影与文化等议题展开研究，论文发表于《艺术时代》《艺术当代》《中国摄影》和《中国摄影报》等杂志报刊。
Ph.D of Aesthetic Institute in Zhejiang university.His research interests are aesthetics ,critic theory and image cultural criticism. He has successfully translated“Modern Art in Common Culture”by Tomas Crow into Chinese version which is to be published earlier next years, and is delicated to review photography through contemporary arts and photography theory.
成国琴 Cheng Guoqin
1966年生于河南郑州，毕业于郑州大学电子工程系，曾在美国康奈尔大学学习服务业管理，2001年在北京大学进修艺术与美学史。2004年起在北京798从事策展和画廊经营，曾为中、美、德、法、以色列、意大利、澳大利亚等国内外艺术家策展，并与多个驻华使馆合作。2007年与薄云共同策划2007大连达沃斯经济论坛之主场中国艺术家群展；2011年策展巴塞尔文化博物馆《On Stage》摄影部分；2011年被聘为英国机构《付得起的艺术品》艺术顾问之一；2012年作为联合策展人代表北京798在台湾的当代艺术区策划798艺术群展；2012年被聘为798艺术区艺委会主任成员；2013年大理国际影会与姜健共同策划美国艺术家Bernard的《梦露早期摄影展》。2013年作为连州国际摄影策展人之一，策划《鲁宾斯坦和姜健摄影对话》展览获得中国优秀摄影策展奖。2014年上海艺术影像展首次将德国摄影大师奥古斯特•桑德的作品带入摄影博览会，联合策展——桑德和姜健的对话展。
Born in 1966, Zhengzhou, Henan Province of China.Graduate from Zhengzhou University with major of Electrical Engineering in 1987. Cornell Hotel School in U.S. for executive program education in 2001. 2004, opened art gallery of XYZ with partners in the world famous art center, 798 of Beijing. Collaborated with numerous embassies in Beijing for art and culture events, such as Netherland, Israel, Germany and Switzerland. 2011, co-organized the inauguration exhibition for Basel Museum of Cultures at the theme of ON THE STAGE. 2011, recognized as Member of 798 Art Committee by 798 Authority. 2012, representing 798 to group- curate the first Chinese contemporary art exhibition in Taipei, Taiwan. 2013, organized the art exhibition for Dutch artist Maartje Blans solo exhibition at Ying Gallery in 798, and Anne.Sofie Hornemann at XYZ Gallery in 798. 2013, curated exhibition for Chinese young artists exhibited in Art Cologne 2013. 2013 co-curator with Jiang Jian for the photo exhibition of Bernard Hollywood Marilyn Manron Photo Exhibition at 2013 Dali International Photo Fair.Received the outstanding curator award of Chinese photography exhibition due to the joint exhibition of Eva Rubinstein and Jiang Jian.2014 Photo Shanghai- August Sander and Jiang Jian joint exhibition.