在戴平均的作品《三角形》中,一只手从画布的背面穿越而出,令人惊悚。这种超现实的手法其实在90年代徐芒耀的作品中已经出现,不过那时徐的作品还具有启蒙主义的哲学思辨性质,其画作的人物是超现实的理想人物(如画家)
摘自《重新对焦——中国写实绘画的异动》
—— 殷双喜
In Triangle,it’s shocking to see a hand stretching out from the back of the canvas.The surrealistic style also appeared in Professor Xu Mangyao’s works in the 1990s,where there was didactic speculative philosophy,and figures are surrealistic ideals like painters.
Refocusing——The Variation of Realistic Painting in China By Yin Shuangxi
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